Rare Victorian-Era Drawing Reveals Hidden Truths About Anatomical Illustrations
A previously unseen anatomical drawing from the Victorian era has been unveiled at a new exhibition, shedding light on how artists of the time approached drawing bodies that didn't fit traditional beauty standards. The image, which features an unnamed black man with his eyes closed and innards exposed, is believed to be one of only a handful of anatomical drawings of a black body made during this period.
The artist behind the drawing, Joseph Maclise, was a pioneering figure in making human anatomy accessible to the general public through his work as both a surgeon and an artist. His 1851 atlas Surgical Anatomy showcased intricate and delicate illustrations that not only provided detailed information on the human body but also lavished attention on small details like scars or blemishes.
The inclusion of this drawing in the exhibition Beneath the Sheets: Anatomy, Art and Power highlights Maclise's groundbreaking work in centring black bodies and focusing on queer desire. Despite the rarity of such depictions during the Victorian era, some art historians believe that Maclise may have had a personal stake in these representations.
One theory suggests that Maclise's work could be considered "erotic" due to its depiction of genitalia and sensual details. The American medical historian Michael Sappol argues that these illustrations form part of a "lost archive of queer expression," alongside the works of artists like Jacques Fabien Gautier d'Agoty and William Cheselden.
These discoveries reveal not only an artist's skill in rendering anatomy but also their intentions behind doing so, often blurring the lines between medical illustration and eroticism. The exhibition showcases more such examples of anatomical illustrations, including those that highlight female bodies and explore themes of class, violence, and the male gaze.
A particular case in point is Mary Paterson, whose body was sold for medical study after she was a victim of Burke and Hare, Scotland's most notorious serial killers. Her preserved beauty continues to fascinate medical men, raising disturbing questions about the handling of female bodies in this period.
The exhibition Beneath the Sheets: Anatomy, Art and Power runs from February 7th until June 27th at the Thackray Museum of Medicine in Leeds, offering a unique glimpse into the intersection of art, power, and anatomical knowledge.
A previously unseen anatomical drawing from the Victorian era has been unveiled at a new exhibition, shedding light on how artists of the time approached drawing bodies that didn't fit traditional beauty standards. The image, which features an unnamed black man with his eyes closed and innards exposed, is believed to be one of only a handful of anatomical drawings of a black body made during this period.
The artist behind the drawing, Joseph Maclise, was a pioneering figure in making human anatomy accessible to the general public through his work as both a surgeon and an artist. His 1851 atlas Surgical Anatomy showcased intricate and delicate illustrations that not only provided detailed information on the human body but also lavished attention on small details like scars or blemishes.
The inclusion of this drawing in the exhibition Beneath the Sheets: Anatomy, Art and Power highlights Maclise's groundbreaking work in centring black bodies and focusing on queer desire. Despite the rarity of such depictions during the Victorian era, some art historians believe that Maclise may have had a personal stake in these representations.
One theory suggests that Maclise's work could be considered "erotic" due to its depiction of genitalia and sensual details. The American medical historian Michael Sappol argues that these illustrations form part of a "lost archive of queer expression," alongside the works of artists like Jacques Fabien Gautier d'Agoty and William Cheselden.
These discoveries reveal not only an artist's skill in rendering anatomy but also their intentions behind doing so, often blurring the lines between medical illustration and eroticism. The exhibition showcases more such examples of anatomical illustrations, including those that highlight female bodies and explore themes of class, violence, and the male gaze.
A particular case in point is Mary Paterson, whose body was sold for medical study after she was a victim of Burke and Hare, Scotland's most notorious serial killers. Her preserved beauty continues to fascinate medical men, raising disturbing questions about the handling of female bodies in this period.
The exhibition Beneath the Sheets: Anatomy, Art and Power runs from February 7th until June 27th at the Thackray Museum of Medicine in Leeds, offering a unique glimpse into the intersection of art, power, and anatomical knowledge.