Budweiser's latest Super Bowl ad, American Icons, is stirring up more controversy than its predecessor, Bud Light's ill-fated transgender spokesperson promotion. The 60-second spot features an unlikely friendship between a bald eagle and a Clydesdale horse, symbolizing an unbreakable bond that transcends generations.
However, the ad's nostalgic value comes with a heavy dose of irony, as it harks back to a bygone era of American iconography that feels increasingly out of touch with the country's current social climate. The imagery is unmistakably retro - think George Washington at Valley Forge and Pegasus soaring through the skies.
The pairing of a struggling baby bird with a Clydesdale horse who provides shelter and support has all the makings of a heartwarming tale, reminiscent of an American folk song. But what does it really say about America in 2026? Is it a genuine attempt at tapping into collective nostalgia or simply a cynical ploy to sell beer?
One thing is certain: Budweiser's marketing strategy seems to be working, with the ad already sparking heated reactions on social media. The question remains whether this formulaic approach will resonate with a broader audience or simply reinforce the perception that America has lost its way.
Bud Light's predecessor in the company's Super Bowl ads took a bold step last year by featuring Dylan Mulvaney, a trans social media star, in an attempt to showcase diversity and inclusivity. The response was swift and savage, with several high-profile conservatives condemning the ad as "woke" propaganda. Since then, Budweiser has retreated to its equine-friendly roots, releasing an ad featuring a Clydesdale at the Lincoln Memorial.
This year's ad, American Icons, seems to be walking a fine line between celebrating an enduring American tradition and poking fun at it for its timelessness. With Lynyrd Skynyrd's Free Bird providing a sonic backdrop, it's hard not to see this as a tongue-in-cheek commentary on the state of America today.
Ultimately, Budweiser may have tapped into something primal with this ad - an enduring desire for comfort and connection that transcends politics and social divisions. But whether this is a genuine attempt at cultural relevance or simply a clever marketing ploy remains to be seen.
However, the ad's nostalgic value comes with a heavy dose of irony, as it harks back to a bygone era of American iconography that feels increasingly out of touch with the country's current social climate. The imagery is unmistakably retro - think George Washington at Valley Forge and Pegasus soaring through the skies.
The pairing of a struggling baby bird with a Clydesdale horse who provides shelter and support has all the makings of a heartwarming tale, reminiscent of an American folk song. But what does it really say about America in 2026? Is it a genuine attempt at tapping into collective nostalgia or simply a cynical ploy to sell beer?
One thing is certain: Budweiser's marketing strategy seems to be working, with the ad already sparking heated reactions on social media. The question remains whether this formulaic approach will resonate with a broader audience or simply reinforce the perception that America has lost its way.
Bud Light's predecessor in the company's Super Bowl ads took a bold step last year by featuring Dylan Mulvaney, a trans social media star, in an attempt to showcase diversity and inclusivity. The response was swift and savage, with several high-profile conservatives condemning the ad as "woke" propaganda. Since then, Budweiser has retreated to its equine-friendly roots, releasing an ad featuring a Clydesdale at the Lincoln Memorial.
This year's ad, American Icons, seems to be walking a fine line between celebrating an enduring American tradition and poking fun at it for its timelessness. With Lynyrd Skynyrd's Free Bird providing a sonic backdrop, it's hard not to see this as a tongue-in-cheek commentary on the state of America today.
Ultimately, Budweiser may have tapped into something primal with this ad - an enduring desire for comfort and connection that transcends politics and social divisions. But whether this is a genuine attempt at cultural relevance or simply a clever marketing ploy remains to be seen.