Biffy Clyro's resurgent performance at their 2025 tour, Futique, marked a thunderous renewal for the Scottish rock trio. After enduring burnout and band member James Johnston's withdrawal due to mental health and addiction issues, the new songs radiate a sense of rebirth and renewed purpose.
Simon Neil's emotive vocals shine on opening track "A Little Love," which becomes an anthem for maintaining meaningful relationships amidst life's chaos. The urgent and catchy "Friendshipping" serves as a poignant tribute to Johnston's legacy, evoking a sense of camaraderie that is central to the band's identity.
Futique's production feels distinctly pop-influenced, showcasing Biffy Clyro's knack for blending sugary melodies with heavy riffs. Tracks like "Goodbye" and "Shot One" demonstrate the band's ability to merge contrasting styles into a unique sound. The dual violins on "That Golden Rule" inject a tense atmosphere, while the stripped-back acoustic delivery of "Machines" provides a haunting contrast.
At their most explosive, Biffy Clyro unleash a wall of sound, conjuring both tension and release. The anthemic closer, "Living Is a Problem Because Everything Dies," is a masterclass in dynamics, hurtling from quiet introspection to deafening crescendos.
If the set occasionally feels slightly familiar or repetitive, it's mitigated by the sheer energy and enthusiasm of the performance. As the band and audience unite in triumphant unison, "We are Biffy fucking Clyro!" - it's clear that this is a force to be reckoned with, both now and in their storied 30-year history.
Simon Neil's emotive vocals shine on opening track "A Little Love," which becomes an anthem for maintaining meaningful relationships amidst life's chaos. The urgent and catchy "Friendshipping" serves as a poignant tribute to Johnston's legacy, evoking a sense of camaraderie that is central to the band's identity.
Futique's production feels distinctly pop-influenced, showcasing Biffy Clyro's knack for blending sugary melodies with heavy riffs. Tracks like "Goodbye" and "Shot One" demonstrate the band's ability to merge contrasting styles into a unique sound. The dual violins on "That Golden Rule" inject a tense atmosphere, while the stripped-back acoustic delivery of "Machines" provides a haunting contrast.
At their most explosive, Biffy Clyro unleash a wall of sound, conjuring both tension and release. The anthemic closer, "Living Is a Problem Because Everything Dies," is a masterclass in dynamics, hurtling from quiet introspection to deafening crescendos.
If the set occasionally feels slightly familiar or repetitive, it's mitigated by the sheer energy and enthusiasm of the performance. As the band and audience unite in triumphant unison, "We are Biffy fucking Clyro!" - it's clear that this is a force to be reckoned with, both now and in their storied 30-year history.