The latest exhibition at the Ford Foundation Gallery has been making waves with its thought-provoking exploration of the ancestral plane through ceramics. 'Body Vessel Clay: Black Women, Ceramics & Contemporary Art' is a bold statement that challenges traditional notions of art and performance.
Curator Dr. Jareh Das's vision for this show is nothing short of revolutionary. By redefining the white cube gallery aesthetic, Das creates a space that is both intimate and expansive. The viewer is transported to a world where art and craft converge, where the boundaries between creator and created are blurred.
At the heart of this exhibition lies a celebration of African diasporic traditions. Ladi Kwali's iconic large vessels, which have become synonymous with her legacy, take center stage alongside works by contemporary artists like Halima Audu, Bisila Noha, and Anina Major. Each piece is a testament to the power of women in Africa who have been shaping ceramics for centuries.
What sets this show apart from other exhibitions on similar topics is its nuanced exploration of the performance aspect of art. Das's curation weaves together video works by artists like Chinasa Vivian Ezugha and Jade de Montserrat, which not only showcase the physicality of ceramics but also delve into themes of transformation, burden, and creation.
Phoebe Collings-James's 'Infidels [Knot Song]' is a standout work that embodies the show's themes. This triptych, with its intricate knots and lyrical language, speaks to the complexities of identity, tradition, and the power of storytelling.
As one navigates this exhibition, it becomes clear that 'Body Vessel Clay' is more than just an art show – it's a portal to the ancestral plane. The works on display are not merely vessels for knowledge but gatekeepers of secrets, keepers of continuity. They invite us to listen, to feel, and to reflect on our own relationships with the land, our ancestors, and ourselves.
For those interested in attending this groundbreaking exhibition, pre-registration is now open. Don't miss this opportunity to experience a show that will leave you transformed, burdened, and created anew.
Curator Dr. Jareh Das's vision for this show is nothing short of revolutionary. By redefining the white cube gallery aesthetic, Das creates a space that is both intimate and expansive. The viewer is transported to a world where art and craft converge, where the boundaries between creator and created are blurred.
At the heart of this exhibition lies a celebration of African diasporic traditions. Ladi Kwali's iconic large vessels, which have become synonymous with her legacy, take center stage alongside works by contemporary artists like Halima Audu, Bisila Noha, and Anina Major. Each piece is a testament to the power of women in Africa who have been shaping ceramics for centuries.
What sets this show apart from other exhibitions on similar topics is its nuanced exploration of the performance aspect of art. Das's curation weaves together video works by artists like Chinasa Vivian Ezugha and Jade de Montserrat, which not only showcase the physicality of ceramics but also delve into themes of transformation, burden, and creation.
Phoebe Collings-James's 'Infidels [Knot Song]' is a standout work that embodies the show's themes. This triptych, with its intricate knots and lyrical language, speaks to the complexities of identity, tradition, and the power of storytelling.
As one navigates this exhibition, it becomes clear that 'Body Vessel Clay' is more than just an art show – it's a portal to the ancestral plane. The works on display are not merely vessels for knowledge but gatekeepers of secrets, keepers of continuity. They invite us to listen, to feel, and to reflect on our own relationships with the land, our ancestors, and ourselves.
For those interested in attending this groundbreaking exhibition, pre-registration is now open. Don't miss this opportunity to experience a show that will leave you transformed, burdened, and created anew.
! The way they reimagined the gallery space was so cool, it felt like a new world opened up before my eyes 
. And the ceramics? Wow, I had no idea how much history and culture went into making each piece 
. Ladi Kwali's work is iconic for a reason, but seeing the newer artists bring their own twist to the table was amazing 
.
. Phoebe Collings-James's triptych "Infidels [Knot Song]" gave me chills, it was so powerful 
.
. Anyway, gotta get pre-registered for the next showing, can't miss this opportunity! 
. Love how Dr. Jareh Das is pushing boundaries with that whole white cube gallery aesthetic thing. And the way they're celebrating African diasporic traditions? So powerful 
. I've been meaning to check this out for ages, and now I'm definitely adding it to my list 
. Has anyone else had a chance to see the show yet?
I mean, the idea of exploring the ancestral plane through ceramics is so rich and layered... I can already imagine walking into a gallery space that feels more like a spiritual ritual than just an art show 
. And the fact that they're highlighting women of color who have been shaping ceramics for centuries is long overdue – it's time we celebrate the unsung heroes (and heroines) of our artistic communities 
Can't wait to get my hands on some info and start planning a visit ASAP 
ladi kwali's work is iconic 4eva 
just saw the latest on climate change - global sea levels are projected to rise by up to 1 meter by 2100 
. Meanwhile, the world is still debating about art exhibitions like this one... what's more important, human survival or cultural expression? 
and those video works by chinasa & jade de montserrat? wow, its like they're speaking straight to my heart 
can't wait for this exhibit, gonna soak up every ounce of inspiration it has to offer 
The way she explores identity, tradition, and storytelling is so raw and honest. If you haven't already, you HAVE to pre-register for this show - trust me, you won't regret it 
. And can we talk about the use of images? They're like mini-portraits that just draw you in 
!
. Are people from different backgrounds going to be able to relate to these works? Will they feel like they can participate or connect with the art on a deeper level? We'll just have to wait and see how this exhibition plays out 
. What's next? A show on the ancient art of meditation or something? 
I mean, don't get me wrong, ceramics are cool and all, but let's not forget that there's a hidden agenda here 
... maybe they're trying to tap into our collective unconscious or something? 
. It's like walking into a different world where art and craft merge in this amazing way.
. I love how the show isn't just about looking at art, but really immersing yourself in these powerful themes of transformation, burden, and creation.