Trump's Latest Power Play: A Bulletproof Ballroom in the White House
In a move that can only be described as dictatorial, Donald Trump is set to replace the historic East Wing of the White House with an ostentatious bulletproof ballroom. The $250 million project, one of the most grandiose White House initiatives in over a century, will feature a glacially white aircraft hangar-style structure adorned with gilded Corinthian columns and drooping gold chandeliers.
The new design is a far cry from the elegance and understated sophistication that has long defined the White House. Instead, it reeks of Trump's signature brand of bombast and megalomania. As one expert put it, "It gives Trump a narrative of authority and tradition," a clever ruse designed to undermine the established elites, including in architecture.
Trump's love affair with classical design is well-documented, but his enthusiasm for the style can be seen as more than just aesthetic. It's a thinly veiled attempt to assert his own brand of authoritarianism over the US architecture scene. The man who has built his career on rollercoaster schemes and get-rich-quick deals now wields significant influence over the country's capital city.
Critics are already lining up to decry this project, warning that it will lead to a stifling homogenization of design in Washington D.C. "AIA is extremely concerned about any revisions that remove control from local communities, mandate official federal design preferences, or otherwise hinder design freedom," the American Institute of Architects stated.
But Trump remains unfazed, with his eyes firmly fixed on the horizon for his next grandiose project. A huge triumphal arch, modelled on the Parisian original and topped with a gilded, winged goddess of victory, is set to be erected just across the Potomac river from the Lincoln Memorial. Dubbed the "Arc de Trump," this latest vanity project is meant to commemorate the US's 250th anniversary next year.
It's hard not to see parallels between Trump's grandiose architectural ambitions and those of the ancient Roman emperor Nero. Both men have a proven track record of indulging in lavish excess, with little regard for the welfare or well-being of their subjects.
As one historian noted, "Nonetheless, Trump's experience as a developer was formative, in that it taught him he could get away with just about anything." And with this latest move, he is once again proving himself to be a master of self-aggrandizement.
In a move that can only be described as dictatorial, Donald Trump is set to replace the historic East Wing of the White House with an ostentatious bulletproof ballroom. The $250 million project, one of the most grandiose White House initiatives in over a century, will feature a glacially white aircraft hangar-style structure adorned with gilded Corinthian columns and drooping gold chandeliers.
The new design is a far cry from the elegance and understated sophistication that has long defined the White House. Instead, it reeks of Trump's signature brand of bombast and megalomania. As one expert put it, "It gives Trump a narrative of authority and tradition," a clever ruse designed to undermine the established elites, including in architecture.
Trump's love affair with classical design is well-documented, but his enthusiasm for the style can be seen as more than just aesthetic. It's a thinly veiled attempt to assert his own brand of authoritarianism over the US architecture scene. The man who has built his career on rollercoaster schemes and get-rich-quick deals now wields significant influence over the country's capital city.
Critics are already lining up to decry this project, warning that it will lead to a stifling homogenization of design in Washington D.C. "AIA is extremely concerned about any revisions that remove control from local communities, mandate official federal design preferences, or otherwise hinder design freedom," the American Institute of Architects stated.
But Trump remains unfazed, with his eyes firmly fixed on the horizon for his next grandiose project. A huge triumphal arch, modelled on the Parisian original and topped with a gilded, winged goddess of victory, is set to be erected just across the Potomac river from the Lincoln Memorial. Dubbed the "Arc de Trump," this latest vanity project is meant to commemorate the US's 250th anniversary next year.
It's hard not to see parallels between Trump's grandiose architectural ambitions and those of the ancient Roman emperor Nero. Both men have a proven track record of indulging in lavish excess, with little regard for the welfare or well-being of their subjects.
As one historian noted, "Nonetheless, Trump's experience as a developer was formative, in that it taught him he could get away with just about anything." And with this latest move, he is once again proving himself to be a master of self-aggrandizement.