A new landmark is set to bring Sylvia Townsend Warner's legacy to life in Dorchester, a writer whose work remains relatively unknown despite her trailblazing career as an LGBTQ+ pioneer. The 75-year-old statue, designed by Denise Dutton, will sit proudly in the town's main shopping area, accompanied by a nod to Warner's beloved feline companion.
Warner, who lived openly with her partner Valentine Ackland, defied convention during a time when women and queer individuals faced significant marginalization. Her writing spanned seven novels, extensive poetry, and over 150 short stories published in The New Yorker, earning her widespread recognition across two continents in the 1930s.
However, despite being celebrated for her literary contributions, Warner's name has faded from public consciousness, even in Dorchester, where she lived for decades. Her legacy is set to change with this new statue, which marks a significant milestone in efforts to commemorate overlooked women and queer individuals in public spaces.
The campaign behind the statue received over 50 nominations of women whose stories have been overlooked, all of whom were shortlisted before being put to a public vote. Warner "won by a landslide," according to Anya Pearson, who led the campaign and is also responsible for Dorchester's Mary Anning statue. The £60,000 cost was raised through crowdsourcing and international donations.
For Pearson, the value of a statue lies not just in its physical presence but in the message it conveys. By placing statues of women and queer individuals in public spaces, towns are signaling that their stories matter and deserve recognition. "It's about what towns choose to remember and celebrate," she says.
Pearson's success with Warner and Anning has led to her involvement in other female statue campaigns across the UK. Her efforts join a growing movement to commemorate overlooked women and queer individuals through memorials and statues, including Virginia Woolf and Aphra Behn already in place.
As part of this movement, Sam Johnson is working on a campaign to commemorate the match girls of east London, whose 1888 strike led by Sarah Chapman has been largely forgotten. Johnson hopes to raise awareness about their story through art installations and other public works, creating a tangible legacy that can be shared with future generations.
Warner, who lived openly with her partner Valentine Ackland, defied convention during a time when women and queer individuals faced significant marginalization. Her writing spanned seven novels, extensive poetry, and over 150 short stories published in The New Yorker, earning her widespread recognition across two continents in the 1930s.
However, despite being celebrated for her literary contributions, Warner's name has faded from public consciousness, even in Dorchester, where she lived for decades. Her legacy is set to change with this new statue, which marks a significant milestone in efforts to commemorate overlooked women and queer individuals in public spaces.
The campaign behind the statue received over 50 nominations of women whose stories have been overlooked, all of whom were shortlisted before being put to a public vote. Warner "won by a landslide," according to Anya Pearson, who led the campaign and is also responsible for Dorchester's Mary Anning statue. The £60,000 cost was raised through crowdsourcing and international donations.
For Pearson, the value of a statue lies not just in its physical presence but in the message it conveys. By placing statues of women and queer individuals in public spaces, towns are signaling that their stories matter and deserve recognition. "It's about what towns choose to remember and celebrate," she says.
Pearson's success with Warner and Anning has led to her involvement in other female statue campaigns across the UK. Her efforts join a growing movement to commemorate overlooked women and queer individuals through memorials and statues, including Virginia Woolf and Aphra Behn already in place.
As part of this movement, Sam Johnson is working on a campaign to commemorate the match girls of east London, whose 1888 strike led by Sarah Chapman has been largely forgotten. Johnson hopes to raise awareness about their story through art installations and other public works, creating a tangible legacy that can be shared with future generations.