James L. Brooks' 'Ella McCay' feels like a relic from a bygone era of cinema, where mid-budget adult films with broad appeal and relatable characters were the norm before streaming services took over the market.
The film's lead promotional image is a nostalgic reminder of 90s and early 2000s comedies such as Confessions of a Shopaholic, Miss Congeniality, or Little Miss Sunshine. At its core, 'Ella McCay' is a story about a young woman who overcomes her troubled past to become one of the youngest lieutenant governors in her home state.
However, the film's narrative is marred by incoherent characters and a confounding plot that seems to defy basic storytelling logic. The lead character, Ella, is portrayed as highly intelligent and moral, but her defining traits are wonkish-ness and reactivity, making it difficult for Emma Mackey to sell the role.
The supporting cast includes a motley crew of characters, each more outlandish than the last. Jamie Lee Curtis's Aunt Helen feels like a caricature of herself, while Jack Lowden's husband Ryan is introduced only to be suddenly dropped without reason. The film's reliance on convenient plot devices and time cuts also raises questions about how Ella McCay became the lieutenant governor in the first place.
Despite its flaws, 'Ella McCay' does offer a few glimmers of hope. A brief flash of complexity late in the film shows that there may be more to the character than meets the eye. However, this is too little, too late, and the film ultimately feels like a disappointing mess.
James L. Brooks, an 85-year-old writer/director/producer with a storied career, seems to have reached the end of the road with 'Ella McCay'. The film's disjointed narrative and lack of polish make it a relic of a bygone era, one that may soon be lost forever in the streaming wars.
The film's lead promotional image is a nostalgic reminder of 90s and early 2000s comedies such as Confessions of a Shopaholic, Miss Congeniality, or Little Miss Sunshine. At its core, 'Ella McCay' is a story about a young woman who overcomes her troubled past to become one of the youngest lieutenant governors in her home state.
However, the film's narrative is marred by incoherent characters and a confounding plot that seems to defy basic storytelling logic. The lead character, Ella, is portrayed as highly intelligent and moral, but her defining traits are wonkish-ness and reactivity, making it difficult for Emma Mackey to sell the role.
The supporting cast includes a motley crew of characters, each more outlandish than the last. Jamie Lee Curtis's Aunt Helen feels like a caricature of herself, while Jack Lowden's husband Ryan is introduced only to be suddenly dropped without reason. The film's reliance on convenient plot devices and time cuts also raises questions about how Ella McCay became the lieutenant governor in the first place.
Despite its flaws, 'Ella McCay' does offer a few glimmers of hope. A brief flash of complexity late in the film shows that there may be more to the character than meets the eye. However, this is too little, too late, and the film ultimately feels like a disappointing mess.
James L. Brooks, an 85-year-old writer/director/producer with a storied career, seems to have reached the end of the road with 'Ella McCay'. The film's disjointed narrative and lack of polish make it a relic of a bygone era, one that may soon be lost forever in the streaming wars.