Emma Thompson has expressed her frustration with the increasing reliance on artificial intelligence (AI) in writing, describing it as "intense irritation." The Oscar-winning actress and scriptwriter spoke candidly about her experience with Microsoft's AI-powered word-processing tool, Copilot, during a recent interview with Stephen Colbert.
Thompson revealed that she typically writes scripts longhand before transferring them to a computer, believing that this tactile approach fosters a connection between the brain and hands. However, when working on a Word document, Copilot often suggests rewrites, leading Thompson to become agitated. In one memorable outburst, she exclaimed, "I don't need you to fucking rewrite what I've just written! Will you fuck off? Just fuck off! I'm so annoyed."
Thompson's disdain for AI is not new; in the past, she has had issues with technology interfering with her work. During the production of her 1996 adaptation of Sense and Sensibility, Thompson discovered that the script had been transformed into hieroglyphs upon returning from a trip to the loo.
A similar incident occurred when she was working on her recent film The Dead of Winter, where her computer suddenly changed the entire script. She recounted visiting Stephen Fry's house, where he spent eight hours restoring the original text from the scrambled script.
Thompson has long advocated for authenticity in storytelling, emphasizing the importance of raw honesty in writing. According to her, focusing on genuine emotions and experiences is key to crafting compelling scripts that resonate with audiences.
The resurgence of AI-generated content has sparked a heated debate among creatives, with some, like Guillermo Del Toro, expressing strong reservations about its use in filmmaking. "I'm 61," Del Toro said, "and I hope to be able to remain uninterested in using it at all until I croak." Thompson's sentiments echo these concerns, highlighting the need for writers and filmmakers to preserve their unique voice and creative vision in an era dominated by AI-generated content.
Thompson revealed that she typically writes scripts longhand before transferring them to a computer, believing that this tactile approach fosters a connection between the brain and hands. However, when working on a Word document, Copilot often suggests rewrites, leading Thompson to become agitated. In one memorable outburst, she exclaimed, "I don't need you to fucking rewrite what I've just written! Will you fuck off? Just fuck off! I'm so annoyed."
Thompson's disdain for AI is not new; in the past, she has had issues with technology interfering with her work. During the production of her 1996 adaptation of Sense and Sensibility, Thompson discovered that the script had been transformed into hieroglyphs upon returning from a trip to the loo.
A similar incident occurred when she was working on her recent film The Dead of Winter, where her computer suddenly changed the entire script. She recounted visiting Stephen Fry's house, where he spent eight hours restoring the original text from the scrambled script.
Thompson has long advocated for authenticity in storytelling, emphasizing the importance of raw honesty in writing. According to her, focusing on genuine emotions and experiences is key to crafting compelling scripts that resonate with audiences.
The resurgence of AI-generated content has sparked a heated debate among creatives, with some, like Guillermo Del Toro, expressing strong reservations about its use in filmmaking. "I'm 61," Del Toro said, "and I hope to be able to remain uninterested in using it at all until I croak." Thompson's sentiments echo these concerns, highlighting the need for writers and filmmakers to preserve their unique voice and creative vision in an era dominated by AI-generated content.