The article discusses a recent exhibition at the Seoul Museum of Art, titled "SMB13 Séance: Technology of the Spirit," which explores the role spiritual experience has played in the development of modern and contemporary art. The exhibition examines how technology has been used to connect with other worlds or dimensions, and how it has blurred the distinctions between science and myth.
The article highlights the importance of reframing our relationship with technology and recognizing that spirituality is not separate from science or rational thinking. It argues that spiritualism can be seen as a form of animism, which views the natural world as imbued with spiritual energy. The exhibition suggests that this perspective has been overlooked in favor of more materialist approaches to art.
The article also mentions other exhibitions and biennales globally that have explored similar themes, such as "Ghosts: Visualising the Supernatural" at the Kunstmuseum Basel and a tribute to Wilfredo Lam's work at the Museum of Modern Art. These exhibitions demonstrate a growing interest in reevaluating art history through more psychic and spiritually charged lenses.
Overall, the article concludes that the exhibition at Seoul Museum of Art is part of a broader trend towards rethinking our relationship with technology and recognizing the importance of spirituality in art. This shift offers a timely response to the limitations of purely rational narratives and opens up new domains of artistic inquiry and cultural reflection.
Key points:
* The exhibition "SMB13 Séance: Technology of the Spirit" explores the role spiritual experience has played in modern and contemporary art.
* The exhibition examines how technology has been used to connect with other worlds or dimensions.
* Spiritualism is reframed as a form of animism, viewing the natural world as imbued with spiritual energy.
* This perspective offers an alternative way of rethinking the relationship between imagination, technology, and the physical world.
* Other exhibitions globally, such as "Ghosts: Visualising the Supernatural" at the Kunstmuseum Basel, demonstrate a growing interest in exploring spirituality in art.
* The exhibition suggests that recognizing spiritualism is not separate from science or rational thinking offers a timely response to the limitations of purely rational narratives.
The article highlights the importance of reframing our relationship with technology and recognizing that spirituality is not separate from science or rational thinking. It argues that spiritualism can be seen as a form of animism, which views the natural world as imbued with spiritual energy. The exhibition suggests that this perspective has been overlooked in favor of more materialist approaches to art.
The article also mentions other exhibitions and biennales globally that have explored similar themes, such as "Ghosts: Visualising the Supernatural" at the Kunstmuseum Basel and a tribute to Wilfredo Lam's work at the Museum of Modern Art. These exhibitions demonstrate a growing interest in reevaluating art history through more psychic and spiritually charged lenses.
Overall, the article concludes that the exhibition at Seoul Museum of Art is part of a broader trend towards rethinking our relationship with technology and recognizing the importance of spirituality in art. This shift offers a timely response to the limitations of purely rational narratives and opens up new domains of artistic inquiry and cultural reflection.
Key points:
* The exhibition "SMB13 Séance: Technology of the Spirit" explores the role spiritual experience has played in modern and contemporary art.
* The exhibition examines how technology has been used to connect with other worlds or dimensions.
* Spiritualism is reframed as a form of animism, viewing the natural world as imbued with spiritual energy.
* This perspective offers an alternative way of rethinking the relationship between imagination, technology, and the physical world.
* Other exhibitions globally, such as "Ghosts: Visualising the Supernatural" at the Kunstmuseum Basel, demonstrate a growing interest in exploring spirituality in art.
* The exhibition suggests that recognizing spiritualism is not separate from science or rational thinking offers a timely response to the limitations of purely rational narratives.