Martin Parr's lens captured life's mundane moments with panache, rendering them magnificent and imbuing the ordinary with a sense of the extraordinary. A master of finding beauty in the overlooked, his saturated colours and surprising compositions transported viewers into the unpolished truths of everyday moments.
For Parr, the thrill lay not in grand, sweeping landscapes but in the small stories that batter or buoy us daily – the way a stranger holds a sandwich or an ice cream cone, the colour of a plastic beach bucket, or the fluorescent glow of a chip shop. It was this radical attentiveness and celebration of the overlooked that made Parr one of the most human photographers of our time.
Born with an unremarkable upbringing, Parr's journey as a photographer was marked by innovative originality from the start. His final show at Manchester Polytechnic was an installation recreating a living room, which divided opinion among those who saw it but typified his approach to pushing boundaries in photography.
Parr's acceptance into Magnum, the prestigious photo agency, was not without controversy. However, he knew that life's contradictions were absurd and gave us a way to embrace them through his photographs. His influence extends across generations, with his foundation supporting British photographers and exhibiting artists at the start of their careers.
Despite being diagnosed with cancer in 2021, Parr continued to walk with relish and humour, even playfully hurling his rollator against the wall. He took photography seriously but never himself too seriously, evident in his ongoing series of self-mocking self-portraits.
Parr's lens captured life's social rituals – queues, holidays, celebrations, markets, and our unguarded absurdities – with curiosity and a sense of wonder that never stopped him being surprised by the world. He was an anthropologist armed with Kodachrome, stepping into the everyday moments that shape us and sharing his own experiences in the process.
For Parr, the thrill lay not in grand, sweeping landscapes but in the small stories that batter or buoy us daily – the way a stranger holds a sandwich or an ice cream cone, the colour of a plastic beach bucket, or the fluorescent glow of a chip shop. It was this radical attentiveness and celebration of the overlooked that made Parr one of the most human photographers of our time.
Born with an unremarkable upbringing, Parr's journey as a photographer was marked by innovative originality from the start. His final show at Manchester Polytechnic was an installation recreating a living room, which divided opinion among those who saw it but typified his approach to pushing boundaries in photography.
Parr's acceptance into Magnum, the prestigious photo agency, was not without controversy. However, he knew that life's contradictions were absurd and gave us a way to embrace them through his photographs. His influence extends across generations, with his foundation supporting British photographers and exhibiting artists at the start of their careers.
Despite being diagnosed with cancer in 2021, Parr continued to walk with relish and humour, even playfully hurling his rollator against the wall. He took photography seriously but never himself too seriously, evident in his ongoing series of self-mocking self-portraits.
Parr's lens captured life's social rituals – queues, holidays, celebrations, markets, and our unguarded absurdities – with curiosity and a sense of wonder that never stopped him being surprised by the world. He was an anthropologist armed with Kodachrome, stepping into the everyday moments that shape us and sharing his own experiences in the process.