The horror genre has long been criticized for its portrayal of disability. From classic monsters to more recent films, the industry continues to perpetuate ableist stereotypes that can be both hurtful and exclusionary.
Physical beauty is often conflated with moral goodness in film, while villains have historically been associated with disability or disfigurement. This notion suggests that suffering leads to a decline in morality, rendering individuals into scheming supervillains who seek to inflict pain on others out of malice and spite. The use of prosthetics and physical deformity as a shorthand for evil is not only tired but also dehumanizing.
Recent films have attempted to subvert this trope, featuring protagonists with disabilities without relying on ableist stereotypes. Bring Her Back, for instance, stars Sora Wong, who has limited vision, bringing depth and richness to her character. However, despite these efforts, the film industry remains underrepresented by people with disabilities, making up only 2% of the workforce.
The solution lies in increasing representation behind the camera β more disabled writers, directors, actors, and creatives telling their own stories to bring a diverse, authentic perspective to the screen. As Saou Ichikawa's novel Hunchback notes, "the 'criminalisation of the gaze' that took hold around the dawn of the 20th century had led to the decline of the freak show." It is time for a new era of inclusivity in film and publishing.
Until then, audiences like Kathryn Bromwich are left watching themselves on screen only through others' eyes, perpetuating outdated stereotypes. The notion that disabled people must be defined by their disability or used as shorthand for evil is not only inaccurate but also damaging. It's time to challenge these norms and create a more inclusive entertainment industry where everyone can see themselves represented.
Physical beauty is often conflated with moral goodness in film, while villains have historically been associated with disability or disfigurement. This notion suggests that suffering leads to a decline in morality, rendering individuals into scheming supervillains who seek to inflict pain on others out of malice and spite. The use of prosthetics and physical deformity as a shorthand for evil is not only tired but also dehumanizing.
Recent films have attempted to subvert this trope, featuring protagonists with disabilities without relying on ableist stereotypes. Bring Her Back, for instance, stars Sora Wong, who has limited vision, bringing depth and richness to her character. However, despite these efforts, the film industry remains underrepresented by people with disabilities, making up only 2% of the workforce.
The solution lies in increasing representation behind the camera β more disabled writers, directors, actors, and creatives telling their own stories to bring a diverse, authentic perspective to the screen. As Saou Ichikawa's novel Hunchback notes, "the 'criminalisation of the gaze' that took hold around the dawn of the 20th century had led to the decline of the freak show." It is time for a new era of inclusivity in film and publishing.
Until then, audiences like Kathryn Bromwich are left watching themselves on screen only through others' eyes, perpetuating outdated stereotypes. The notion that disabled people must be defined by their disability or used as shorthand for evil is not only inaccurate but also damaging. It's time to challenge these norms and create a more inclusive entertainment industry where everyone can see themselves represented.