The article discusses the conversation between actors Colin O'Donoghue (Josh) and Timothée Chalamet (Paul) about their profession, mental health, and balancing work and personal life. The two actors reflect on their experiences playing characters with complex emotional struggles, such as Calum in "Aftersun" and David in "The History of Sound," respectively.
O'Donoghue shares his thoughts on the attention that comes with being an actor and how it can impact one's mental health. He notes that the constant scrutiny and pressure to perform can be overwhelming and feels like a false chord inside him. Chalamet agrees, saying that he doesn't know the answer to managing the stress of fame but emphasizes the importance of self-care.
The conversation also touches on O'Donoghue's thoughts about rationing himself from acting projects in order to prioritize his mental health. He suggests that stepping off the train (i.e., taking a break from acting) might be necessary to avoid resentment towards the work. Chalamet agrees, noting that the more we see of an actor, the harder it is for them to convince us they are someone else.
The article concludes with O'Donoghue imagining a future scenario where he becomes relatively unknown until his role in "Merrily We Roll Along" opens in 15 years or so. Chalamet pictures the scene around 2040, where people will be curious about why he was cast in that movie and how he managed to keep a low profile for so long.
Throughout their conversation, both O'Donoghue and Chalamet convey a sense of empathy and understanding for each other's experiences as actors. They acknowledge the challenges and pressures associated with their profession but also express appreciation for the opportunities they have to explore complex characters and emotions through their work.
O'Donoghue shares his thoughts on the attention that comes with being an actor and how it can impact one's mental health. He notes that the constant scrutiny and pressure to perform can be overwhelming and feels like a false chord inside him. Chalamet agrees, saying that he doesn't know the answer to managing the stress of fame but emphasizes the importance of self-care.
The conversation also touches on O'Donoghue's thoughts about rationing himself from acting projects in order to prioritize his mental health. He suggests that stepping off the train (i.e., taking a break from acting) might be necessary to avoid resentment towards the work. Chalamet agrees, noting that the more we see of an actor, the harder it is for them to convince us they are someone else.
The article concludes with O'Donoghue imagining a future scenario where he becomes relatively unknown until his role in "Merrily We Roll Along" opens in 15 years or so. Chalamet pictures the scene around 2040, where people will be curious about why he was cast in that movie and how he managed to keep a low profile for so long.
Throughout their conversation, both O'Donoghue and Chalamet convey a sense of empathy and understanding for each other's experiences as actors. They acknowledge the challenges and pressures associated with their profession but also express appreciation for the opportunities they have to explore complex characters and emotions through their work.