The unlikely inspiration behind Jade Franks' groundbreaking play 'Eat the Rich (But Maybe Not Me Mates x)' is far from glamorous – it's down to dirty dishwashing duties at Cambridge University. A working-class student struggling to juggle her demanding course load with a part-time cleaning job, Franks drew on these experiences to craft a biting satire of wealth and privilege.
As she recounts the time her sister was turned away from a college dinner by a condescending professor, it's clear that class disparities were not just theoretical for Franks. Her own struggles to access theatre education due to financial constraints only added fuel to the fire, as she eventually worked multiple jobs to make ends meet while honing her craft.
With its razor-sharp wit and incisive commentary on elitism and inequality, 'Eat the Rich' has won widespread acclaim – including a coveted Fringe First award. Yet, despite its commercial success, it's Franks' commitment to using her platform to challenge the status quo that truly sets this play ablaze.
The road to success was far from smooth, however. Franks faced setbacks at every turn, including a private investor pulling out just days before the Edinburgh festival fringe and a producer refusing to allow the show to lose money. It was a stark reminder of the harsh realities facing many in the theatre industry.
As 'Eat the Rich' now takes its place alongside other landmark shows like Fleabag and Baby Reindeer, Franks is determined to use her newfound success to make a lasting impact on the world of theatre. She's set her sights on creating a more inclusive and equitable industry, with plans for freelance creative consulting and even a new business model that guarantees good seats at the West End for underprivileged audiences.
With 'Eat the Rich,' Franks has proven herself to be a true firebrand, refusing to be silenced by the obstacles in her path. As she continues to push against the barriers that have held her back, it's clear that this is only the beginning of an extraordinary journey – one that will leave its mark on the world of theatre forever.
As she recounts the time her sister was turned away from a college dinner by a condescending professor, it's clear that class disparities were not just theoretical for Franks. Her own struggles to access theatre education due to financial constraints only added fuel to the fire, as she eventually worked multiple jobs to make ends meet while honing her craft.
With its razor-sharp wit and incisive commentary on elitism and inequality, 'Eat the Rich' has won widespread acclaim – including a coveted Fringe First award. Yet, despite its commercial success, it's Franks' commitment to using her platform to challenge the status quo that truly sets this play ablaze.
The road to success was far from smooth, however. Franks faced setbacks at every turn, including a private investor pulling out just days before the Edinburgh festival fringe and a producer refusing to allow the show to lose money. It was a stark reminder of the harsh realities facing many in the theatre industry.
As 'Eat the Rich' now takes its place alongside other landmark shows like Fleabag and Baby Reindeer, Franks is determined to use her newfound success to make a lasting impact on the world of theatre. She's set her sights on creating a more inclusive and equitable industry, with plans for freelance creative consulting and even a new business model that guarantees good seats at the West End for underprivileged audiences.
With 'Eat the Rich,' Franks has proven herself to be a true firebrand, refusing to be silenced by the obstacles in her path. As she continues to push against the barriers that have held her back, it's clear that this is only the beginning of an extraordinary journey – one that will leave its mark on the world of theatre forever.
! I mean, can you believe a Cambridge Uni student turned into a award-winning playwright? It's truly inspiring to see someone from a working-class background use their own experiences to create something so powerful and thought-provoking. The way Franks tackles elitism and inequality is just on point - it's like she's speaking straight to your soul 
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. It's clear that 'Eat the Rich' isn't just a play, but a movement - Franks is on a mission to change the theatre industry from the inside out 
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! I'm so excited to see what she comes up with next. This girl is a true trailblazer, and I have no doubt that 'Eat the Rich' will leave its mark on the world of theatre forever 
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I mean, can you even believe how much her "dirty dishwashing duties" at Cambridge U inspired a play that's now getting rave reviews? It just goes to show how our experiences, no matter how mundane or tough, can be transformed into something powerful and thought-provoking. And what's also dope is how Jade Franks isn't resting on her laurels – she's using her success to create real change in the theatre industry 
. Like, a business model that guarantees seats at the West End for underprivileged audiences? That's some next-level activism right there 
. I'm loving how she's not afraid to take risks and challenge the status quo, even when faced with setbacks 
. Can't wait to see what she comes up with next!
It's not just about making a buck, but actually creating positive change in the theatre industry. The struggles she faced are so real, it's like you're right there with her, you know? I mean, who hasn't had a producer pull out at the last minute or had to take on multiple jobs to make ends meet? 
, I'm a bit skeptical about all the fuss around Jade Franks' play 'Eat the Rich'. Don't get me wrong, it's dope that she was able to use her own struggles to create something so impactful, but is it really necessary for a play to be this preachy? I mean, can't theatre just be fun and entertaining without having to hit us over the head with social commentary all the time 
? And what's up with the business model she's proposing? Guaranteeing good seats at the West End for underprivileged audiences sounds like a nice idea, but isn't that just gonna price out even more regular people and make it harder for them to access theatre in the first place?
And what's with the private investor pulling out at the last minute? Just a coincidence or did they try to sabotage her success? Hmm...
dirty dishwashing duties at Cambridge Uni? wow... but you know what's even crazier? how her experiences inspired a play that's making waves in theatre 
like, I get the struggle of wanting to create something meaningful but facing obstacles left and right, but Jade Franks is on fire 
like, who wouldn't be inspired by a dirty dishwashing job at Cambridge Uni? 
It's so refreshing to see someone using their experiences to fuel their art. And I'm all about that commitment to change – Franks' plans for freelance creative consulting and inclusive theatre are totally on point 
i need more shows like 'eat the rich' that challenge the status quo and fight for equality & inclusivity 
. Franks might've faced setbacks, but she didn't let that stop her. She used it as fuel to create something even better. Now she's on a mission to make theatre more inclusive and equitable? That's what I call ambition