The article profiles the art collection of the Harrar couple, who have built a significant and diverse collection over the years. They met through their shared passion for art and began collecting together, eventually amassing a substantial collection of contemporary and modern works.
Their approach to collecting is centered on direct relationships with artists and galleries. They value human connections and engagement with the artworks, rather than just focusing on market trends or value. This approach has allowed them to develop a unique understanding of the artworks and their significance.
The couple's relationship with Venezuela is also mentioned, as they have strong ties to their home country and hope to contribute to its cultural revival in some way. They have even identified a potential project for a colonial house, although politics have made it impossible to proceed at present.
In terms of selling or donating artworks from their collection, the couple has had a few instances where their children have expressed attachment to specific pieces. For example, one of their sons has insisted that a particular Tracey Emin neon work stays in the home, rather than being sold. The couple has also encouraged their younger child to start collecting items, such as Pokémon cards, which is seen as a natural extension of their own collection-building habits.
Overall, the Harrar couple's approach to art collecting is driven by a passion for human connection and engagement with the artworks themselves, rather than just accumulating valuable pieces. Their relationship with Venezuela and their willingness to contribute to its cultural revival also sets them apart from other collectors.
Their approach to collecting is centered on direct relationships with artists and galleries. They value human connections and engagement with the artworks, rather than just focusing on market trends or value. This approach has allowed them to develop a unique understanding of the artworks and their significance.
The couple's relationship with Venezuela is also mentioned, as they have strong ties to their home country and hope to contribute to its cultural revival in some way. They have even identified a potential project for a colonial house, although politics have made it impossible to proceed at present.
In terms of selling or donating artworks from their collection, the couple has had a few instances where their children have expressed attachment to specific pieces. For example, one of their sons has insisted that a particular Tracey Emin neon work stays in the home, rather than being sold. The couple has also encouraged their younger child to start collecting items, such as Pokémon cards, which is seen as a natural extension of their own collection-building habits.
Overall, the Harrar couple's approach to art collecting is driven by a passion for human connection and engagement with the artworks themselves, rather than just accumulating valuable pieces. Their relationship with Venezuela and their willingness to contribute to its cultural revival also sets them apart from other collectors.
. It's amazing that they've got a strong family bond going on too - who wouldn't want their kid to be attached to Tracey Emin's neon work? 
And starting the young one off with Pokémon cards is such a great way to introduce them to collecting at a young age! 
My grandkids would love that... anyway, it just goes to show that art can be about so much more than just financial value 
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! They're like, totally making art collecting all about the people behind the paintings, you know? Not just about how much cash they can get for it 
. I mean, who needs all that market drama when you can have real relationships with artists and galleries? 
The fact that their kids are already getting into collecting too is like, amazing! Who knew Pokémon cards could be art 
. I wish they'd share some pics of Tracey Emin's neon work, though... I'm dying to see it 
? Like, I get it, collecting is a thing, but come on! The Harrar couple's approach to art collecting is all about the passion and human connection, which I'm down for, but then they're introducing their kid to Pokémon cards... it just doesn't feel like a natural fit, you know? And I love how they're trying to contribute to Venezuela's cultural revival - that's some awesome stuff 
. But, can we talk about how frustrating politics is for projects like that? Like, get them done already! 
. It makes sense why their kids would want to keep some of those pieces – family is all about love and attachment, right? 
And I think it's great that they're encouraging their younger child to start collecting in their own way, whether it's Pokémon cards or whatever catches their eye 
. I wish they could get that colonial house project going in Venezuela... it sounds like such a cool cultural contribution 
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. It's not every day you see people putting relationships with the artists and galleries above market value 
. It shows they're willing to prioritize family over financial gain, even if it means passing on potentially valuable artwork.
. A colonial house restoration sounds like an amazing way to give back to their community and preserve some of that country's rich history. Fingers crossed politics can make way for this project soon 
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but what's really interesting is how they don't just buy stuff because it's gonna make 'em rich, but actually because they care about the artists and the people behind the art 