Oscar Murillo's latest exhibition at kurimanzutto gallery in Mexico City is a testament to his unique perspective on time and human experience. The show, which spans 15 years of his practice, defies traditional notions of chronology, instead presenting a visual narrative that is both deeply personal and universally relatable.
Murillo's work has always been characterized by its intensity and emotional depth, but this exhibition reveals a new level of complexity and nuance. The artist's use of abstract forms and layered paint applications creates a textured, almost three-dimensional quality that invites the viewer to engage with the work on multiple levels.
At the heart of the show is Murillo's fascination with the concept of sedimentation β the process by which time layers build up over years, creating a rich tapestry of experience. This theme is reflected in works such as "Social Mapping," which uses paint and chalk to create intricate networks of lines and marks that evoke the city streets.
Murillo has spoken about his own experiences with the passing of time, particularly in relation to his father's migration from Colombia to London. The sound piece included in the exhibition, recorded in 18 different languages, is a poignant tribute to this experience and highlights the artist's commitment to exploring themes of identity and belonging.
Despite the show's focus on Murillo's personal experiences, there is something deeply universal about the work on display. Whether it is the abstract landscapes or the intricate social maps, each piece seems to tap into a deep wellspring of human emotion and connection.
Ultimately, Murillo's exhibition is a powerful reminder that art can be both highly individualized and universally relatable. By embracing the complexity and fragmentation of time, he creates works that are at once deeply personal and profoundly insightful β a testament to the enduring power of human creativity.
Murillo's work has always been characterized by its intensity and emotional depth, but this exhibition reveals a new level of complexity and nuance. The artist's use of abstract forms and layered paint applications creates a textured, almost three-dimensional quality that invites the viewer to engage with the work on multiple levels.
At the heart of the show is Murillo's fascination with the concept of sedimentation β the process by which time layers build up over years, creating a rich tapestry of experience. This theme is reflected in works such as "Social Mapping," which uses paint and chalk to create intricate networks of lines and marks that evoke the city streets.
Murillo has spoken about his own experiences with the passing of time, particularly in relation to his father's migration from Colombia to London. The sound piece included in the exhibition, recorded in 18 different languages, is a poignant tribute to this experience and highlights the artist's commitment to exploring themes of identity and belonging.
Despite the show's focus on Murillo's personal experiences, there is something deeply universal about the work on display. Whether it is the abstract landscapes or the intricate social maps, each piece seems to tap into a deep wellspring of human emotion and connection.
Ultimately, Murillo's exhibition is a powerful reminder that art can be both highly individualized and universally relatable. By embracing the complexity and fragmentation of time, he creates works that are at once deeply personal and profoundly insightful β a testament to the enduring power of human creativity.