Oscar Murillo's latest exhibition at kurimanzutto gallery in Mexico City is a culmination of 15 years of work that resists linear time. Instead, his practice operates within a non-chronological framework, where multiple layers of meaning coexist and accumulate over time. The term "sedimentation of time" – which opens the press release for the show – encapsulates this concept, suggesting that history is not a straight line but rather a complex web of overlapping structures, behaviors, and events.
Murillo's oeuvre defies traditional notions of time as it brings together works from various periods in his practice. Each piece operates as an index, reflecting his broader body of work and its relationships with different temporalities. This is evident in "Telegram," which serves as a conduit for the viewer to navigate through the artist's thoughts and experiences.
One notable aspect of Murillo's recent work is his relationship with surfaces. He acknowledges that these registers marks and energy but does not engage with the surface in an obsessive or plastic sense. Rather, he explores intensity both physically and psychologically. This is seen in his practice of "Social mapping," where participants can mark surfaces around buildings to record their passing.
Murillo's exhibition also reflects his engagement with contemporary issues such as censorship and turbulence. The installation of a "water well" in the gallery space serves as an encyclopedia containing fragments from his studio over the years, serving as witnesses to his process.
When asked about his market presence at the beginning of his career, Murillo dismisses sensationalist claims. Instead, he emphasizes his continuous focus on experimentation and exploration in his studio.
Differing reception of his work across Latin America versus elsewhere is a notable aspect of Murillo's career. His practice often reflects shifting global orders, as seen in "Social mapping," which aims to document the street as a witness to contemporary issues.
The installation of "The water well" resonates personally with Murillo, serving as an archive of his past work and experiences.
Murillo's oeuvre defies traditional notions of time as it brings together works from various periods in his practice. Each piece operates as an index, reflecting his broader body of work and its relationships with different temporalities. This is evident in "Telegram," which serves as a conduit for the viewer to navigate through the artist's thoughts and experiences.
One notable aspect of Murillo's recent work is his relationship with surfaces. He acknowledges that these registers marks and energy but does not engage with the surface in an obsessive or plastic sense. Rather, he explores intensity both physically and psychologically. This is seen in his practice of "Social mapping," where participants can mark surfaces around buildings to record their passing.
Murillo's exhibition also reflects his engagement with contemporary issues such as censorship and turbulence. The installation of a "water well" in the gallery space serves as an encyclopedia containing fragments from his studio over the years, serving as witnesses to his process.
When asked about his market presence at the beginning of his career, Murillo dismisses sensationalist claims. Instead, he emphasizes his continuous focus on experimentation and exploration in his studio.
Differing reception of his work across Latin America versus elsewhere is a notable aspect of Murillo's career. His practice often reflects shifting global orders, as seen in "Social mapping," which aims to document the street as a witness to contemporary issues.
The installation of "The water well" resonates personally with Murillo, serving as an archive of his past work and experiences.
. Oscar Murillo's been pushing boundaries for 15 years now and it's amazing to see how his practice has evolved. The way he blends different pieces together is like a puzzle, each one revealing more about the others. I love how he uses surfaces in his art, it's so organic and intuitive. And that "water well" installation? Mind blown 
. It's like he's creating this archive of himself, you know? Reflecting on all the ups and downs, and it's both beautiful and haunting at the same time 
. I think what I love most about Murillo is how his art isn't just about him, but also about the world around us. It's like a mirror held up to society, but in a way that's both introspective and expansive 
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i love how he breaks free frm traditional notions of time & creates a non-linear framework that's all about accumulation & sedimentation. his 'telegram' piece is like, whoa... it's so immersive! 
and his exploration of surfaces? 
i feel like his 'social mapping' project is a total game changer - it's like, we need more ppl documentin the streets & sharin their thoughts & experiences. btw, u no w why murillo's market presence is so underrated? 
he's all about experimentation & exploration, not just chasin that $$$ 
. The artist's use of non-linear time is cool and all, but can't we have some actual chronology for once? I'm just browsing through the catalogue and my brain hurts from trying to piece together what's happening when 
gotta love how Oscar Murillo's art is all about challenging our perceptions of time & space... like, it's not just about creating these beautiful pieces, but also about how they relate to each other & the world around us. I mean, who needs a straight line when you can have a complex web of meanings, right? 
he's like totally deconstructing our notions of time & space in his art 
i mean, his social mapping project is so fascinating, it's like he's trying to map the world (and our experiences) onto surfaces... and that telegram piece is so immersive, feels like you're gettin into his head 
anyway, ur goin to have to check out this show in mexico city, trust me 
️ not a straight line but more like a crazy web of connections between different times and places
but at the same time, i'm also kinda intrigued by how his art doesn't try to solve any of our problems or offer easy answers... its more like he's just trying to document the messy, chaotic world we live in 
i love how he incorporates "social mapping" into his work, it's like he's documenting the world around us and making us see things we never noticed before 
the water well installation is literally a masterpiece - it's like an archive of his thoughts and experiences all in one place 
i'm totally Team Oscar Murillo all the way!!! 
. it's like, he's not just marking up the surface, he's tapping into all these intense emotions and energies 
. and that "social mapping" project? pure magic 
. it's like, his art is speaking truth to power in its own way 
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Meanwhile, Latin American artists like Oscar Murillo are breaking barriers globally 
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! It's like you can feel the weight of all these years of work just pouring out of the pieces... it's crazy how he weaves all these different timelines together, it feels so raw and honest. I love how he explores intensity in his practice, both physically and mentally - it's like you're right there with him on that surface 
anyway, murillo's art is literally just like trying to understand how our school's social hierarchy works (minus the good vibes)
. And what's up with the 'water well' installation? Just seems like a fancy way of saying "artist's ego is inflated" 
. I'm glad Oscar Murillo isn't swayed by market presence either... more like, how about he focuses on actually making good art instead of trying to be some kind of underground hero 
. i love how murillo's work is like a big ol' puzzle, where every piece fits into this bigger picture. and them surfaces! he's like, "hey, i can make marks on u, but i'm not obsessed w/ ur surface" 
. it's like, murillo's tryin to document the world around us, even when it's gettin messy