In the latest installment of "Pluribus," Vince Gilligan's ambitious sci-fi/horror series, Carol Sturko finds herself at the center of a maelstrom. The bestselling author and depressive misanthrope is one of only a dozen individuals immune to the mind virus that has linked every living human on Earth into a gigantic group consciousness.
However, as Carol struggles to come to terms with her newfound powers and isolation, she faces numerous challenges. Her interactions with the collective, which includes Zosia, her virtual concierge, are often fraught with sarcasm and tension. The collective's willingness to accommodate Carol's every whim, from restocking a Whole Foods store in just two hours to granting her access to an arsenal of deadly weapons, raises several red flags.
One glaring issue is the hivemind's apparent disregard for logistical feasibility. How can they expect to transport dozens of 18-wheelers full of goods in such a short time frame? The episode glosses over these concerns, opting instead to highlight the absurdity of granting someone like Carol access to lethal weapons and then downplaying their significance.
Moreover, the show's handling of Carol's character development is problematic. Her interactions with her late wife, Helen, are reduced to shallow flashbacks that fail to convey the depth of their relationship. Instead, we're left with a portrayal of Carol as an emotionally stunted individual who struggles to connect with others.
Perhaps most concerning, however, is the show's attempt to sidestep fundamental questions about the collective's nature and potential flaws. The hivemind's decision not to eliminate profane weapons like hand grenades or nukes raises more questions than it answers. Why didn't they take a more proactive approach to mitigating these risks? How can we trust that this newfound consciousness won't lead to unforeseen consequences?
As the series struggles to establish its footing, it becomes increasingly clear that "Pluribus" is not as groundbreaking as Gilligan's previous works. The show's reliance on tired tropes and convenient plot devices detracts from its overall impact.
Ultimately, while Carol remains a compelling and complex protagonist, the show's creative shortcomings threaten to undermine her character development. As the series continues to unfold, it will be essential to address these concerns head-on in order to unlock the full potential of "Pluribus."
However, as Carol struggles to come to terms with her newfound powers and isolation, she faces numerous challenges. Her interactions with the collective, which includes Zosia, her virtual concierge, are often fraught with sarcasm and tension. The collective's willingness to accommodate Carol's every whim, from restocking a Whole Foods store in just two hours to granting her access to an arsenal of deadly weapons, raises several red flags.
One glaring issue is the hivemind's apparent disregard for logistical feasibility. How can they expect to transport dozens of 18-wheelers full of goods in such a short time frame? The episode glosses over these concerns, opting instead to highlight the absurdity of granting someone like Carol access to lethal weapons and then downplaying their significance.
Moreover, the show's handling of Carol's character development is problematic. Her interactions with her late wife, Helen, are reduced to shallow flashbacks that fail to convey the depth of their relationship. Instead, we're left with a portrayal of Carol as an emotionally stunted individual who struggles to connect with others.
Perhaps most concerning, however, is the show's attempt to sidestep fundamental questions about the collective's nature and potential flaws. The hivemind's decision not to eliminate profane weapons like hand grenades or nukes raises more questions than it answers. Why didn't they take a more proactive approach to mitigating these risks? How can we trust that this newfound consciousness won't lead to unforeseen consequences?
As the series struggles to establish its footing, it becomes increasingly clear that "Pluribus" is not as groundbreaking as Gilligan's previous works. The show's reliance on tired tropes and convenient plot devices detracts from its overall impact.
Ultimately, while Carol remains a compelling and complex protagonist, the show's creative shortcomings threaten to undermine her character development. As the series continues to unfold, it will be essential to address these concerns head-on in order to unlock the full potential of "Pluribus."
but i feel for her since she's literally stuck with this huge collective thing going on it's wild how they can just transport all those goods in 2 hours btw that doesn't even make sense 
and the part where they're all like "oh yeah we have nukes no big deal" is super suspicious like what if things get out of hand? 
I mean, I love Vince Gilligan and all, but this show just feels like it's trying way too hard to be deep and complex. Like, Carol's character development is cool and all, but those shallow flashbacks? Really? 
And don't even get me started on the collective's logistical feasibility... 
18-wheelers in two hours? Give me a break! 
But at the same time, I can see what they're trying to do here - explore the ethics of a global consciousness and all that jazz. 
I mean, it's not like it's been done before or anything... 
And maybe, just maybe, that's what makes "Pluribus" so intriguing in the first place? 
. And don't even get me started on the logistics - how do they expect to transport all that stuff in 2 hours?! 
It feels like they're glossing over some major red flags 
... I mean, what happened to her and her wife? We barely get a glimpse of their relationship. It's like they're just trying to make her seem "emotional" without actually showing it 
. Not cool.
... hand grenades and nukes?! Really? How do we know this isn't just going to lead to, I don't know, a zombie apocalypse or something 
? It's like they're trying to ignore all the risks and just hope for the best.
. They need to work some of this out if they want to make it a truly groundbreaking show 
! So I just binged ep 1 & im like what's good with this hivemind tho? 
yeah right! And dont even get me started on Carol's character development 
. It feels like theyre just trying to make her seem edgy & cool without actually delving into her emotional depth 
. I mean what happened to Helen? 
Flashbacks arent gonna cut it here... The show needs to step up its game if they wanna explore the collective's true potential 
. They're still trying to figure out how this mind virus thingy works, and it's getting old fast 
. I mean, what's up with Carol having access to all these deadly weapons just because she wants them? It doesn't add up 
. And don't even get me started on her character development - it feels so rushed and shallow compared to Gilligan's other shows 
. I guess what really bothers me is that they're dodging these bigger questions about the collective's nature and potential risks. We need some real answers here, not just more flashbacks to Carol's emotional baggage 
. But we gotta hold him accountable for making this show more than just a bunch of convenient plot twists 
. Can't wait to see what happens next! 
it feels like her relationships with others are just, yeah... present 
Here are some stats that might be relevant: did you know that the average person spends around 4-6 hours per day interacting with technology? 
According to Google Trends, "Pluribus" has seen a significant spike in search volume since its release. 
Here's a graph showing the increase: 
. Can't we have a more nuanced portrayal of this new collective and its potential risks? Maybe some actual conflict or tension between characters? That would make the show way more interesting 
.
I mean, come on, if everyone's connected in this way, wouldn't there be some kind of catastrophic event or massive failure by now? It's all just too easy 
.