The Cribs' latest album, Selling a Vibe, is a masterclass in subtlety and nuance. On the surface, it's more of the same: distorted guitars, sharp songwriting, and a confident swagger that has defined the band's career for 22 years. But scratch beneath the surface, and you'll find an album that's both deeply personal and remarkably mature.
While their peers were busy chasing mainstream success, the Cribs maintained a studious detachment from the indie rock scene's flashier moments. They were always more in tune with the "proper indie" tradition, where artistic freedom was paramount and commercial ambitions were tempered by a healthy dose of skepticism. It's an ethos that has served them well over the years, allowing them to maintain a loyal cult following without ever sacrificing their independence.
On Selling a Vibe, this approach is on full display. The album deals in familiar territory – jangly guitars, catchy hooks, and a drum machine-infused beat that underpins tracks like A Point Too Hard to Make and Rose Mist. But it's the songwriting that truly sets this album apart. Lyrically, the Cribs are as rueful-eyed as ever, but now they're tempered by experience. They've been through the wars, and their songs reflect a newfound sense of contentment – even if that means acknowledging that some experiences are best left behind.
Take Distractions, for example. Here, we find a band that knows exactly what it does, how to do it, and isn't afraid to say so. The lyrics are wry and self-aware, poking fun at the very notion of being an indie rock band in 2023. It's a joke they're all too familiar with, but one that never loses its edge.
If Selling a Vibe was an album by someone else, it would be hailed as a masterpiece. But given the Cribs' history, it's just another great addition to their canon – a testament to their enduring spirit and their refusal to grow up. As they sing on Brothers Won't Break, after all this time holding the line, we weren't ever going to leave it... we'll keep it from an honest place.
And that's precisely what they're doing – keeping it real, one song at a time.
While their peers were busy chasing mainstream success, the Cribs maintained a studious detachment from the indie rock scene's flashier moments. They were always more in tune with the "proper indie" tradition, where artistic freedom was paramount and commercial ambitions were tempered by a healthy dose of skepticism. It's an ethos that has served them well over the years, allowing them to maintain a loyal cult following without ever sacrificing their independence.
On Selling a Vibe, this approach is on full display. The album deals in familiar territory – jangly guitars, catchy hooks, and a drum machine-infused beat that underpins tracks like A Point Too Hard to Make and Rose Mist. But it's the songwriting that truly sets this album apart. Lyrically, the Cribs are as rueful-eyed as ever, but now they're tempered by experience. They've been through the wars, and their songs reflect a newfound sense of contentment – even if that means acknowledging that some experiences are best left behind.
Take Distractions, for example. Here, we find a band that knows exactly what it does, how to do it, and isn't afraid to say so. The lyrics are wry and self-aware, poking fun at the very notion of being an indie rock band in 2023. It's a joke they're all too familiar with, but one that never loses its edge.
If Selling a Vibe was an album by someone else, it would be hailed as a masterpiece. But given the Cribs' history, it's just another great addition to their canon – a testament to their enduring spirit and their refusal to grow up. As they sing on Brothers Won't Break, after all this time holding the line, we weren't ever going to leave it... we'll keep it from an honest place.
And that's precisely what they're doing – keeping it real, one song at a time.