Netflix's 'Skyscraper Live' left viewers on edge as they witnessed Alex Honnold tackle an unprecedented 508-meter Taipei 101 climb in real-time, marking the most stressful TV experience recorded to date.
Honnold, known for his daredevil feats captured in Free Solo, brought a new level of intensity to this production by climbing without ropes for an hour and a half. Unlike the carefully curated narrative of Free Solo, Skyscraper Live presented an unforgiving reality where any misstep could prove fatal.
Taipei 101 proved to be the perfect venue for Honnold's perilous ascent, boasting multiple stages with increasing difficulty that heightened the sense of tension. The climber had to navigate precarious overhangs and moments when he was clinging to a narrow section, only to suddenly shift direction at a 45-degree angle.
Despite the awe-inspiring nature of this feat, it raises questions about whether live television should prioritize entertainment over human life. As the viewer watched Honnold's every move, they couldn't help but feel an inherent sense of unease and anxiety that came with witnessing someone pushing their physical limits to such extremes.
Skyscraper Live may have been a groundbreaking spectacle, but its impact on the world of live television could be disastrous if it sparks a trend of broadcasting events where human safety is at risk. With shows like this, one can't help but think of Red Bull's Felix Baumgartner jump in 2012, which presented both thrilling excitement and somber self-awareness.
Given Netflix's usual brand image, commissioning more live events that carry similar risks could lead to a concerning shift towards morbid entertainment. The company should avoid capitalizing on this format by opting for safer, less hazardous options that prioritize human well-being over spectacle.
Honnold, known for his daredevil feats captured in Free Solo, brought a new level of intensity to this production by climbing without ropes for an hour and a half. Unlike the carefully curated narrative of Free Solo, Skyscraper Live presented an unforgiving reality where any misstep could prove fatal.
Taipei 101 proved to be the perfect venue for Honnold's perilous ascent, boasting multiple stages with increasing difficulty that heightened the sense of tension. The climber had to navigate precarious overhangs and moments when he was clinging to a narrow section, only to suddenly shift direction at a 45-degree angle.
Despite the awe-inspiring nature of this feat, it raises questions about whether live television should prioritize entertainment over human life. As the viewer watched Honnold's every move, they couldn't help but feel an inherent sense of unease and anxiety that came with witnessing someone pushing their physical limits to such extremes.
Skyscraper Live may have been a groundbreaking spectacle, but its impact on the world of live television could be disastrous if it sparks a trend of broadcasting events where human safety is at risk. With shows like this, one can't help but think of Red Bull's Felix Baumgartner jump in 2012, which presented both thrilling excitement and somber self-awareness.
Given Netflix's usual brand image, commissioning more live events that carry similar risks could lead to a concerning shift towards morbid entertainment. The company should avoid capitalizing on this format by opting for safer, less hazardous options that prioritize human well-being over spectacle.