Netflix's relentless pursuit of streamlining its movies to appease the attention-deficient demographic has hit a new low with "The Rip", a police procedural thriller that exemplifies the company's most egregious example of pandering.
The film follows Lieutenant Dane Dumars, a disheartened and disillusioned Miami-based tactical narcotics team leader played by Matt Damon, as he navigates a high-stakes case. The problem lies in how Netflix has conditioned its audience to receive information at an arm's length. The repetition is almost comical, serving only to reinforce the notion that viewers are incapable of engaging with films on any meaningful level.
In "The Rip", characters repeatedly rehash key plot points, while also using phone calls and other unnecessary exposition to further explain themselves. These repetitive elements aren't just gratuitous; they've become a hallmark of Netflix's filmmaking style, designed to cater to an audience that can't be bothered to pay attention for more than a few seconds at a time.
The latest collaboration between Matt Damon and Ben Affleck is filled with talented actors, including Kyle Chandler and Teyana Taylor. However, their talents are squandered by the relentless need to explain every little detail and plot twist. Even the usually intelligent and well-crafted mystery genre can't escape this formulaic approach.
Writer-director Joe Carnahan aims for a steady build-up of tension reminiscent of Michael Mann classics like "Heat" and "Thief", but his film is instead consumed by the need to expound on its own narrative at every turn. The result is an exasperating experience that leaves the viewer wondering what just happened.
What's most aggravating, however, is that we've stood for this for so long. Enough people have watched these movies that Netflix believes they're truly what their audiences want. Perhaps they are right, but intelligent and well-made offerings like "Adolescence" prove otherwise. It's time to take back control by turning off the repetitive, over-explained films and supporting creators who put thought into their work.
In a world where data aggregation and analysis companies like Netflix dictate what we watch, it's refreshing that Matt Damon has finally spoken out about this trend. But rather than speaking truth to power, he chose to sidestep the issue while being filmed. Nevertheless, his admission serves as a clarion call for change. By choosing not to reward these mindless films with our attention and instead opting for something more intelligent and well-made, we can take back control of our viewing habits.
Ultimately, "The Rip" is a prime example of how far Netflix has strayed from making original, intelligent programming that respects its audience. We've had enough; it's time to make some noise and demand better.
The film follows Lieutenant Dane Dumars, a disheartened and disillusioned Miami-based tactical narcotics team leader played by Matt Damon, as he navigates a high-stakes case. The problem lies in how Netflix has conditioned its audience to receive information at an arm's length. The repetition is almost comical, serving only to reinforce the notion that viewers are incapable of engaging with films on any meaningful level.
In "The Rip", characters repeatedly rehash key plot points, while also using phone calls and other unnecessary exposition to further explain themselves. These repetitive elements aren't just gratuitous; they've become a hallmark of Netflix's filmmaking style, designed to cater to an audience that can't be bothered to pay attention for more than a few seconds at a time.
The latest collaboration between Matt Damon and Ben Affleck is filled with talented actors, including Kyle Chandler and Teyana Taylor. However, their talents are squandered by the relentless need to explain every little detail and plot twist. Even the usually intelligent and well-crafted mystery genre can't escape this formulaic approach.
Writer-director Joe Carnahan aims for a steady build-up of tension reminiscent of Michael Mann classics like "Heat" and "Thief", but his film is instead consumed by the need to expound on its own narrative at every turn. The result is an exasperating experience that leaves the viewer wondering what just happened.
What's most aggravating, however, is that we've stood for this for so long. Enough people have watched these movies that Netflix believes they're truly what their audiences want. Perhaps they are right, but intelligent and well-made offerings like "Adolescence" prove otherwise. It's time to take back control by turning off the repetitive, over-explained films and supporting creators who put thought into their work.
In a world where data aggregation and analysis companies like Netflix dictate what we watch, it's refreshing that Matt Damon has finally spoken out about this trend. But rather than speaking truth to power, he chose to sidestep the issue while being filmed. Nevertheless, his admission serves as a clarion call for change. By choosing not to reward these mindless films with our attention and instead opting for something more intelligent and well-made, we can take back control of our viewing habits.
Ultimately, "The Rip" is a prime example of how far Netflix has strayed from making original, intelligent programming that respects its audience. We've had enough; it's time to make some noise and demand better.