Emma Kohlmann's latest exhibition, "Moon Minds," is a deeply personal and symbolic journey through the realms of mysticism, mythology, and the human experience. The show's central theme revolves around the concept of timekeeper – the idea that our bodies are intricately tied to the passage of time, with women often being at the forefront of this responsibility.
According to Monica Sjöö's 1971 book "The Great Cosmic Mother," which has been a significant influence on Kohlmann's work, many ancient societies worshipped fertility goddesses and saw a convergence between pre-capitalist matriarchy. These early cultures often aligned their menstrual cycles with the lunar cycle, demonstrating an intuitive understanding of the interconnectedness between human life and the natural world.
Kohlmann's own artistic process reflects this connection. Her creative work is characterized by an iterative approach, where she produces multiple versions of each design, refining and revisiting ideas to achieve a cohesive whole. This attention to detail is evident in her latest exhibition, where watercolors, paintings, and ceramics blend seamlessly together.
At the heart of "Moon Minds" lies Kohlmann's fascination with doubling – a motif that appears frequently throughout her work. This doubling can be seen in the way she depicts pairs of figures, both human and non-human, often with their faces obscured or turned inward. These images are not merely aesthetic exercises but carry deeper symbolic meanings, as they evoke the idea of fragmentation and unity.
In Kohlmann's world, time is a fluid concept, where past and present coexist in an ever-changing tapestry. Her hourglass paintings, featuring green sand with human faces, serve as potent reminders of this interconnectedness. These works not only highlight the passing of time but also underscore our shared humanity, as if we are all suspended within these temporal currents.
Kohlmann's use of geometric patterns and stylized forms is another thread that runs throughout "Moon Minds." Her abstract paintings, such as "Internal Quilt #2," feature intricate arrangements of shapes and colors that evoke a sense of ancient wisdom. These works seem to speak directly to our collective psyche, inviting us to consider the mysteries hidden beneath the surface of our daily lives.
Ultimately, "Moon Minds" is an exhibition about the human condition – a journey into the depths of time, self-discovery, and creative expression. As we navigate this vast, uncharted territory, Kohlmann's art serves as a guiding light, illuminating the complex interplay between nature, culture, and our own personal narratives.
According to Monica Sjöö's 1971 book "The Great Cosmic Mother," which has been a significant influence on Kohlmann's work, many ancient societies worshipped fertility goddesses and saw a convergence between pre-capitalist matriarchy. These early cultures often aligned their menstrual cycles with the lunar cycle, demonstrating an intuitive understanding of the interconnectedness between human life and the natural world.
Kohlmann's own artistic process reflects this connection. Her creative work is characterized by an iterative approach, where she produces multiple versions of each design, refining and revisiting ideas to achieve a cohesive whole. This attention to detail is evident in her latest exhibition, where watercolors, paintings, and ceramics blend seamlessly together.
At the heart of "Moon Minds" lies Kohlmann's fascination with doubling – a motif that appears frequently throughout her work. This doubling can be seen in the way she depicts pairs of figures, both human and non-human, often with their faces obscured or turned inward. These images are not merely aesthetic exercises but carry deeper symbolic meanings, as they evoke the idea of fragmentation and unity.
In Kohlmann's world, time is a fluid concept, where past and present coexist in an ever-changing tapestry. Her hourglass paintings, featuring green sand with human faces, serve as potent reminders of this interconnectedness. These works not only highlight the passing of time but also underscore our shared humanity, as if we are all suspended within these temporal currents.
Kohlmann's use of geometric patterns and stylized forms is another thread that runs throughout "Moon Minds." Her abstract paintings, such as "Internal Quilt #2," feature intricate arrangements of shapes and colors that evoke a sense of ancient wisdom. These works seem to speak directly to our collective psyche, inviting us to consider the mysteries hidden beneath the surface of our daily lives.
Ultimately, "Moon Minds" is an exhibition about the human condition – a journey into the depths of time, self-discovery, and creative expression. As we navigate this vast, uncharted territory, Kohlmann's art serves as a guiding light, illuminating the complex interplay between nature, culture, and our own personal narratives.
I think what I love most about Emma Kohlmann's work is how she taps into that mystical connection we all have with time and the universe. It's like she's giving us permission to slow down and appreciate the beauty in the passing of hours, days, and years. And her use of geometric patterns and stylized forms is just so mesmerizing - it's like she's speaking directly to our souls. I also love how she explores the idea of doubling and fragmentation, because I think that's something we can all relate to on some level - whether it's feeling like we're losing ourselves in the chaos of modern life or searching for meaning in a world that often feels fragmented. Kohlmann's work is like a reminder that even in the midst of all this complexity, there's still beauty and wisdom to be found if we just take the time to look. 
. I mean, the idea that our bodies are tied to time is really deep, you know? And how she incorporates elements of mythology and mysticism into her art makes me feel like I'm stepping into a whole other world 
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. And that motif of doubling is really interesting... I feel like it speaks to our modern world, where we're constantly seeking balance between different aspects of ourselves 
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. I mean, are her experiences with time and identity something that everyone can identify with? Or is it more of an individual thing?
The fact that it's all about mysticism and mythology is cool, but do we really need to go on and on about the ancient societies and their menstrual cycles? 
It feels like she's trying too hard to be deep. 
And the doubling motif? It's just...doubles. Like, how many times can you repeat yourself before it gets old? 
her art is like a time machine that takes you back to when humans were all about the goddess vibes 
and I'm totally mesmerized! The way she weaves together mysticism, mythology, and human experience is just so captivating. I love how her art makes you think about time in a whole different way – like it's this fluid concept that connects the past, present, and future all at once.
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. The way she weaves together mysticism, mythology, and human experience is just so captivating - it's like a journey through a dream world 
. And that attention to detail? Mind-blowing 
. I love how her art makes you think about the world in a new way, like time isn't this fixed thing, but more like this fluid, ever-changing tapestry 
. It's all so beautifully thought-out and executed... I just can't get enough of it 
... some are noticing the repeating pattern of doubling in her work, which adds a layer of symbolism to her art 
... others think it's awesome how she's using geometric patterns to create these intricate abstract pieces 
. Her attention to detail is impressive, but let's be real, who needs that much detail in their art? I mean, it's just watercolors, paintings, and ceramics blended together... 
Still, Kohlmann's exploration of doubling as a motif is kinda interesting – it's like she's reflecting our own fragmented selves back at us 
. It makes me think about the idea of fragmentation and unity in a way that's both beautiful and unsettling. And those hourglass paintings? They're so evocative of time passing and our shared humanity 
. It's an invitation to explore the mysteries of time, self-discovery, and creativity - which is something we could all use a little more of in our lives 
and then there's this idea that our bodies are connected to the passage of time... it's pretty wild 
... I mean, I love how she uses these different mediums like watercolors, paintings, and ceramics to blend together... it's like she's creating this own little world where past and present collide 
... I think we could all learn a thing or two from her approach to creativity and self-discovery 
. Where's the substance behind these art forms?