For Rufus Sewell, the experience of working with Tom Stoppard was not just about playing a character in a play, but about being in the presence of a brilliant mind and feeling intellectually stimulated. The actor recalls that Stoppard's conversations were always engaging and inclusive, making everyone feel like they could contribute their ideas and jokes. This sense of generosity and kindness was reflected in his writing as well, where complex ideas and competing themes were balanced to create a unique and captivating theatrical experience.
Sewell's own experiences with Stoppard date back to the 1990s, when he worked on Arcadia and Rock'n'Roll. He remembers being struck by Stoppard's intelligence and wit, but also by his ability to make everyone feel at ease and valued in the rehearsal room. The actor notes that even when working on more complex projects like Every Good Boy Deserves Favour, Stoppard was always approachable and willing to engage with the cast and crew.
Stoppard's influence can be seen in many of his plays, but it is also reflected in the way he treated those around him. As Rufus Sewell notes, Stoppard was a generous and kind person who never forgot where he came from or who had supported him along the way. He gave away book tokens to his skivvies, like Harriet Walter, as a small gesture of appreciation for their hard work.
For Susan Wokoma, working with Tom Stoppard was a dream come true, and she felt privileged to be part of The Real Thing cast. She recalls that Stoppard was always available to answer questions and share his insights, and that he brought a sense of warmth and humanity to the rehearsal room. The play itself is full of cracking gags and clever wordplay, but Wokoma notes that Stoppard's genius lay not just in his writing, but also in his ability to bring people together and create a sense of community.
Toby Jones has had many great experiences working with Tom Stoppard, including playing the title role in Every Good Boy Deserves Favour. He remembers being struck by Stoppard's wit and intelligence, as well as his willingness to experiment and take risks on stage. The play itself is a clever and inventive work that brings together art and science in unexpected ways.
For Harriet Walter, working with Tom Stoppard was an unforgettable experience that left her feeling inspired and uplifted. She recalls playing Lady Croom in Arcadia and being struck by the complexity and depth of Stoppard's writing. The play itself is a masterclass in balancing humor and pathos, and Stoppard's genius lies in his ability to create a sense of wonder and curiosity that draws the audience in.
Overall, Tom Stoppard's legacy as a playwright and collaborator continues to inspire and delight actors, writers, and audiences around the world. His intelligence, wit, and generosity of spirit have created a lasting impact on the world of theatre, and his influence will be felt for many years to come.
Sewell's own experiences with Stoppard date back to the 1990s, when he worked on Arcadia and Rock'n'Roll. He remembers being struck by Stoppard's intelligence and wit, but also by his ability to make everyone feel at ease and valued in the rehearsal room. The actor notes that even when working on more complex projects like Every Good Boy Deserves Favour, Stoppard was always approachable and willing to engage with the cast and crew.
Stoppard's influence can be seen in many of his plays, but it is also reflected in the way he treated those around him. As Rufus Sewell notes, Stoppard was a generous and kind person who never forgot where he came from or who had supported him along the way. He gave away book tokens to his skivvies, like Harriet Walter, as a small gesture of appreciation for their hard work.
For Susan Wokoma, working with Tom Stoppard was a dream come true, and she felt privileged to be part of The Real Thing cast. She recalls that Stoppard was always available to answer questions and share his insights, and that he brought a sense of warmth and humanity to the rehearsal room. The play itself is full of cracking gags and clever wordplay, but Wokoma notes that Stoppard's genius lay not just in his writing, but also in his ability to bring people together and create a sense of community.
Toby Jones has had many great experiences working with Tom Stoppard, including playing the title role in Every Good Boy Deserves Favour. He remembers being struck by Stoppard's wit and intelligence, as well as his willingness to experiment and take risks on stage. The play itself is a clever and inventive work that brings together art and science in unexpected ways.
For Harriet Walter, working with Tom Stoppard was an unforgettable experience that left her feeling inspired and uplifted. She recalls playing Lady Croom in Arcadia and being struck by the complexity and depth of Stoppard's writing. The play itself is a masterclass in balancing humor and pathos, and Stoppard's genius lies in his ability to create a sense of wonder and curiosity that draws the audience in.
Overall, Tom Stoppard's legacy as a playwright and collaborator continues to inspire and delight actors, writers, and audiences around the world. His intelligence, wit, and generosity of spirit have created a lasting impact on the world of theatre, and his influence will be felt for many years to come.