Elizabeth McCracken's A Long Game: The Liberating Truth About Writing a Novel
In an industry where the craft of writing is often dissected and distilled into neatly packaged advice, Elizabeth McCracken dares to buck the trend. This debut book is a refreshingly unapologetic take on the art of novel-writing, one that challenges the conventional wisdom of creative writing workshops and offers a provocative alternative.
McCracken's approach is unflinchingly honest and refreshingly unromanticized. She rejects the notion that writers can be coached into producing great work, instead embracing the messy, often painful nature of creativity. "Nobody knows how to write a book," she declares in her opening salvo, setting the tone for a book that eschews traditional wisdom in favor of a more personal and intuitive approach.
The author's own writing process is characterized by a sense of self-loathing, which serves as a counterpoint to the usual advice of harnessing creativity through discipline and routine. This willingness to confront her own demons is both cathartic and instructive, offering a glimpse into the mind of an artist who has found freedom in embracing the chaos of her own imagination.
McCracken's book is less about pedagogy and more about artistic expression. It's a celebration of the writing life as a form of sustained mischievous truancy – a refusal to play by the rules or be bound by conventions. This attitude will resonate with writers who have grown tired of being told what they should write, how they should write it, and when they should do it.
In A Long Game, McCracken offers an antidote to the stifling advice that can poison creativity: a reminder that writing is not about producing perfect prose, but about surrendering to the process and allowing oneself to be guided by intuition. This book will be a liberating read for writers who have grown weary of being told they're doing it wrong, and are instead hungry for a more authentic and unapologetic approach to their craft.
In an industry where the craft of writing is often dissected and distilled into neatly packaged advice, Elizabeth McCracken dares to buck the trend. This debut book is a refreshingly unapologetic take on the art of novel-writing, one that challenges the conventional wisdom of creative writing workshops and offers a provocative alternative.
McCracken's approach is unflinchingly honest and refreshingly unromanticized. She rejects the notion that writers can be coached into producing great work, instead embracing the messy, often painful nature of creativity. "Nobody knows how to write a book," she declares in her opening salvo, setting the tone for a book that eschews traditional wisdom in favor of a more personal and intuitive approach.
The author's own writing process is characterized by a sense of self-loathing, which serves as a counterpoint to the usual advice of harnessing creativity through discipline and routine. This willingness to confront her own demons is both cathartic and instructive, offering a glimpse into the mind of an artist who has found freedom in embracing the chaos of her own imagination.
McCracken's book is less about pedagogy and more about artistic expression. It's a celebration of the writing life as a form of sustained mischievous truancy – a refusal to play by the rules or be bound by conventions. This attitude will resonate with writers who have grown tired of being told what they should write, how they should write it, and when they should do it.
In A Long Game, McCracken offers an antidote to the stifling advice that can poison creativity: a reminder that writing is not about producing perfect prose, but about surrendering to the process and allowing oneself to be guided by intuition. This book will be a liberating read for writers who have grown weary of being told they're doing it wrong, and are instead hungry for a more authentic and unapologetic approach to their craft.