In a world where creative writing workshops have become a ubiquitous part of the literary landscape, one writer is taking a bold stand against the conventional wisdom. Elizabeth McCracken, a novelist and memoirist, has penned A Long Game, a craft book that dares to challenge the status quo.
Unlike traditional guides to writing, which often promise to impart valuable secrets and advice, McCracken's approach is refreshingly honest. She begins by stating that "nobody knows how to write a book," and sets out to dismantle the cosy consensus that has dominated creative writing workshops for decades. With her signature epigrammatic style, she skewers the usual tropes of workshop feedback, from the tedious exhortations to "show, don't tell" to the hackneyed advice to "write what you know."
Mccracken's rejection of conventional wisdom is not simply a matter of personal taste; it's a deliberate attempt to challenge writers to rethink their approach. She argues that writing isn't about following rules or obeying a set of instructions, but rather about embracing the raw, unbridled energy of creative expression. As she so aptly puts it, "Writing is a form of sustained mischievous truancy – not about being good."
For writers who have been poisoned by overly prescriptive workshop feedback, McCracken's message will be a breath of fresh air. She offers an antidote to the kind of advice that can stifle creativity and make writing feel like a chore. Instead, she suggests harnessing the power of self-loathing as a way to stay motivated and focused.
One of the most striking aspects of A Long Game is its tone, which is at once incisive and irreverent. McCracken's writing is laced with a sense of humor and a healthy dose of sarcasm, making her critique feel more like a conversation with a trusted friend than a lecture from a self-appointed authority figure.
Ultimately, A Long Game is a book that will challenge writers to think differently about their craft. It may not offer any easy answers or simplistic solutions, but it does promise to free writers from the tyranny of conventional wisdom and unleash them upon the world like the mischievous tricksters they are meant to be.
Unlike traditional guides to writing, which often promise to impart valuable secrets and advice, McCracken's approach is refreshingly honest. She begins by stating that "nobody knows how to write a book," and sets out to dismantle the cosy consensus that has dominated creative writing workshops for decades. With her signature epigrammatic style, she skewers the usual tropes of workshop feedback, from the tedious exhortations to "show, don't tell" to the hackneyed advice to "write what you know."
Mccracken's rejection of conventional wisdom is not simply a matter of personal taste; it's a deliberate attempt to challenge writers to rethink their approach. She argues that writing isn't about following rules or obeying a set of instructions, but rather about embracing the raw, unbridled energy of creative expression. As she so aptly puts it, "Writing is a form of sustained mischievous truancy – not about being good."
For writers who have been poisoned by overly prescriptive workshop feedback, McCracken's message will be a breath of fresh air. She offers an antidote to the kind of advice that can stifle creativity and make writing feel like a chore. Instead, she suggests harnessing the power of self-loathing as a way to stay motivated and focused.
One of the most striking aspects of A Long Game is its tone, which is at once incisive and irreverent. McCracken's writing is laced with a sense of humor and a healthy dose of sarcasm, making her critique feel more like a conversation with a trusted friend than a lecture from a self-appointed authority figure.
Ultimately, A Long Game is a book that will challenge writers to think differently about their craft. It may not offer any easy answers or simplistic solutions, but it does promise to free writers from the tyranny of conventional wisdom and unleash them upon the world like the mischievous tricksters they are meant to be.