"Already Perfect", the latest semi-autobiographical musical on Broadway, is a raw and unflinching exploration of its star, Levi Kreis, as he grapples with his past demons. The show's title is also its biggest spoiler, but it's hard to deny the sincerity that shines through in Kreis's performance.
As he navigates the highs and lows of his life, from self-hating adolescence to self-destructive adulthood, Kreis brings a level of vulnerability that's both captivating and painful to watch. His portrayal of Matthew, the younger version of himself, is particularly impressive, conveying the turmoil and confusion of coming-of-age in a way that feels deeply authentic.
But what sets "Already Perfect" apart from other musicals is its bold storytelling style, which eschews subtlety for raw emotional impact. The dialogue can be overwhelming at times, spelling out Levi's thoughts and feelings with little room for nuance or interpretation. It's like being hit over the head with a sledgehammer – it's loud, it's clear, and it's impossible to ignore.
Yet, despite this lack of subtlety, there's something undeniably compelling about Kreis's lyrics. They're often on the nose, but they have an irresistible quality that draws you in. The music is similarly captivating, shifting from Pentecostal hymns to country ballads with a Tori Amos-esque intensity.
The production itself is clever and resourceful, using minimal set changes to conjure up a world of drama and excitement. From the humble dressing room to the elaborate theatrical playground, every detail seems designed to serve the story rather than simply looking pretty.
Ultimately, "Already Perfect" is a testament to Kreis's talent and dedication as an actor and singer. He pours his heart and soul into every performance, creating a deeply personal connection with the audience that's hard to shake off. It may not be the most nuanced or sophisticated show, but it's undeniably honest – and that's something to be admired.
As he navigates the highs and lows of his life, from self-hating adolescence to self-destructive adulthood, Kreis brings a level of vulnerability that's both captivating and painful to watch. His portrayal of Matthew, the younger version of himself, is particularly impressive, conveying the turmoil and confusion of coming-of-age in a way that feels deeply authentic.
But what sets "Already Perfect" apart from other musicals is its bold storytelling style, which eschews subtlety for raw emotional impact. The dialogue can be overwhelming at times, spelling out Levi's thoughts and feelings with little room for nuance or interpretation. It's like being hit over the head with a sledgehammer – it's loud, it's clear, and it's impossible to ignore.
Yet, despite this lack of subtlety, there's something undeniably compelling about Kreis's lyrics. They're often on the nose, but they have an irresistible quality that draws you in. The music is similarly captivating, shifting from Pentecostal hymns to country ballads with a Tori Amos-esque intensity.
The production itself is clever and resourceful, using minimal set changes to conjure up a world of drama and excitement. From the humble dressing room to the elaborate theatrical playground, every detail seems designed to serve the story rather than simply looking pretty.
Ultimately, "Already Perfect" is a testament to Kreis's talent and dedication as an actor and singer. He pours his heart and soul into every performance, creating a deeply personal connection with the audience that's hard to shake off. It may not be the most nuanced or sophisticated show, but it's undeniably honest – and that's something to be admired.
. It sounds like a bit too on-the-nose for me - all that emotional heavy-handedness can be overwhelming. And don't even get me started on the lack of subtlety in the storytelling style 
. But at the same time, I kinda want to see it to understand what all the fuss is about 
. Levi Kreis's performance sounds pretty raw and honest, which is definitely commendable 
. And if the music can pull me in despite its on-the-nose approach, that'd be a win for me 
. Still not convinced it'll be perfect (no pun intended 
), but I'm curious to give it a shot 
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and I am still reeling from the emotional rollercoaster Levi Kreis takes you on. I mean, this guy pours his heart out on stage, sharing every battle he's fought with mental health and self-doubt... it's like looking into your own mirror, but in a good way 
. The music is catchy, the story is real (no pun intended), and Levi's performance is just WOW 
. I love how raw and honest the show is - no sugarcoating here! It's not for everyone, I get that, but if you're looking for something to make you feel all the feels, then "Already Perfect" is the way to go 
.
this show sounds so emotional I can imagine Levi Kreis pouring his heart out on stage and it's beautiful 
the fact that he's being raw and vulnerable with his past demons takes a lot of courage, I'm literally feeling all the feels just reading about it 
and yeah the music is captivating, I love how it shifts between different genres 
The way he conveys his emotions is so raw and honest, it's like we're watching our own inner monologue come alive on screen (or in this case, on stage). And I love how the show isn't afraid to go big with its emotional impact - sometimes you just need a loud and clear message to get through to your heart. The production is so clever too, using every detail to tell the story in a way that feels super intimate. It's like Levi is having a conversation with us, sharing his thoughts and feelings in a way that feels both vulnerable and relatable 
, his vulnerability is so captivating I'm like "dude, stop being so honest" 
But seriously, the way he portrays his inner turmoil is real talk – it's easy to relate to as an audience. The music is on point too 
, that Tori Amos vibe is giving me chills 
. And can we talk about the production? Minimal set changes and clever staging are always a win in my book 
. It's refreshing to see a show be so unapologetically honest, even if it's not perfect (no pun intended 
. I mean, we all have our own struggles, and sometimes it takes a bold step like this to talk about 'em honestly. The music's catchy, and Kreis's vulnerability is super relatable – I found myself feeling his pain and excitement at the same time 
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, and I'm still reeling from the food coma 
. Have you ever tried ramen at 3 am from a street cart? Game. Changer. 
The noodles were so good, I think I might have cried tears of joy 
. Anyway, back to Broadway... I'm not sure about this Levi Kreis guy, but his music is giving me major Taylor Swift vibes 
. I also appreciate how the show doesn't shy away from tackling tough topics – it's like a big ol' hug for your feelings 
. All in all, "Already Perfect" might not be perfect (heh) but it's definitely a must-see for anyone looking for a truly honest and emotional theatrical experience 
! And can we talk about how raw the storytelling is? It's like being slapped in the face with a giant sledgehammer... in the best possible way 
. I mean, who needs subtlety when you can just hit you over the head with a giant "YOU'RE BROKEN" sign? 
, but in a good way? Like, you can't look away from the train wreck even if you want to. The dialogue might be a bit too on-the-nose at times 
, but that vulnerability and emotional intensity are just so infectious I'm here for it 
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the production is so clever and resourceful, like everything is working towards telling this really raw story. kreis's talent shines through, you can't help but be invested in his journey 
! The production is so clever too, I'm loving how they use minimal set changes to create this whole world of drama and emotion... it's just SO well done 
. Still, the music was super catchy and the production was clever 
. I think what really stood out for me was how honest Kreis is being with himself and the audience... even if it means going all in on the emotions 
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He's so raw and vulnerable on stage, it's like you're watching a private moment of his life. The music is catchy and the lyrics are on point - sometimes a bit cheesy but in a good way 
. The production itself is clever too - minimal set changes but maximum impact!