Davóne Tines is a force to be reckoned with in the classical music world. The 38-year-old baritone has been making waves since his breakthrough performance in 2016, and his latest residency at London's Barbican Centre is just another testament to his talent.
Tines' approach to singing is anything but conventional. He's not afraid to push boundaries and challenge the status quo. In fact, he believes that "the way something is constructed is as important as what is constructed". This mindset is reflected in his performances, which often feature collaborations with musicians and dancers from diverse backgrounds.
One of the highlights of Tines' residency was a concert featuring the music of Julius Eastman, a Black, gay composer who defied convention in every way. The performance was a masterclass in lateral artistic agency, where Tines took charge of commissioning a piece for his collaborators rather than simply executing it. This approach allowed him to create something truly unique and special.
Tines' most recent work, Concerto No 2: Anthem, is another example of his innovative spirit. Commissioned by the LA Philharmonic in 2022, the concerto asks the question "what are we founding our sovereignty on?". Tines brought together three composers to create a piece that turns the Star-Spangled Banner into Lift Every Voice and Sing over the course of three movements.
In an era where empathy seems to be in short supply, Tines' vision for a more compassionate world is inspiring. "I hope it can become a place where true empathy is exercised," he says. This message resonates deeply, especially in the nation's 250th anniversary year.
As Tines continues to push the boundaries of classical music, one thing is clear: he's not afraid to take risks and challenge the status quo. His passion for his craft is infectious, and his commitment to creating art that reflects our world today is a breath of fresh air.
Tines' approach to singing is anything but conventional. He's not afraid to push boundaries and challenge the status quo. In fact, he believes that "the way something is constructed is as important as what is constructed". This mindset is reflected in his performances, which often feature collaborations with musicians and dancers from diverse backgrounds.
One of the highlights of Tines' residency was a concert featuring the music of Julius Eastman, a Black, gay composer who defied convention in every way. The performance was a masterclass in lateral artistic agency, where Tines took charge of commissioning a piece for his collaborators rather than simply executing it. This approach allowed him to create something truly unique and special.
Tines' most recent work, Concerto No 2: Anthem, is another example of his innovative spirit. Commissioned by the LA Philharmonic in 2022, the concerto asks the question "what are we founding our sovereignty on?". Tines brought together three composers to create a piece that turns the Star-Spangled Banner into Lift Every Voice and Sing over the course of three movements.
In an era where empathy seems to be in short supply, Tines' vision for a more compassionate world is inspiring. "I hope it can become a place where true empathy is exercised," he says. This message resonates deeply, especially in the nation's 250th anniversary year.
As Tines continues to push the boundaries of classical music, one thing is clear: he's not afraid to take risks and challenge the status quo. His passion for his craft is infectious, and his commitment to creating art that reflects our world today is a breath of fresh air.
... like he's speaking directly from his heart. The way he combines different art forms is genius, it's not just about the music, but about the message and the emotions behind it 
. His commitment to empathy and understanding is really inspiring, especially in these uncertain times 
. It feels like he's paving a new path for classical music, one that's more inclusive and relevant to our modern world 
Davóne Tines is literally changing the game with his performances 
He's so bold and fearless in his approach to singing, and it's inspiring to see him challenge the status quo like that 
I mean, who else would dare to commission a piece from three different composers for their concerto? 
That takes guts, you know? 
And what really gets me is how he wants to create art that reflects our world today... it's like he's saying we should use our voices for something bigger than ourselves 
This isn't just about classical music anymore; it's about empathy and compassion 
. I'm so here for that 
. I mean, can't we just appreciate good music without having to make it all about pushing boundaries? He's still got some growing up to do in terms of his artistic vision 
! It's amazing how he can bring together different perspectives and create something truly special. Love the message behind it too 
- more empathy in the world is always a good thing 
he's so brave to challenge the norms in classical music. it's really beautiful to see someone use their platform to spread a message of empathy and compassion, especially during such a significant anniversary year for the US. his collaboration with artists from diverse backgrounds is a huge testament to that 
. His latest concerto, Concerto No 2: Anthem, sounds like a total game-changer - turning the Star-Spangled Banner into Lift Every Voice and Sing over three movements? Mind blown 
I'm totally getting a pair, they're supposed to be super comfy 
. But anyway, back to classical music... I was listening to some Chopin the other day and I couldn't help but think about how much I love a good pasta dish after a long study session 
I'm so hyped about Davóne Tines' latest residency at the Barbican Centre! He's literally changing the game with his unique approach to singing 
. His music is more than just entertainment – it's a call to action for empathy and compassion 
especially in these crazy times where it feels like we're losing touch with each other. i love that he's commissioning music from diverse backgrounds and collaborating with dancers - it's like, the more perspectives we have, the stronger our art can be 
I've been craving it all week and now my stomach's growling just thinking about it... anyway, back to Davóne Tines - I loved how he got those three composers to collaborate on the Concerto No 2: Anthem 
. It's so refreshing to see someone pushing boundaries like that - not just in singing, but in the whole artistic experience. I mean, commissioning a piece for his collaborators? That's genius 
just saw the pics from his concert tho and he does seem pretty cool, all that avant-garde stuff can be kinda overplayed tbh but i guess its good that theres someone pushin boundaries in classical music?