Vincenzo De Cotiis's latest exhibition, 'Je Marchais Pieds Nus Dans L’Étang,' or "I Walked Barefoot in the Pond," has come to New York City, showcasing a cohesive and immersive installation that blurs the lines between design and art.
The 50-piece spatial composition, created by De Cotiis, features cast white bronze and hand-painted Murano glass sculptures, echoing Claude Monet's late water lily landscapes where vision dissolves into abstraction. This exhibition serves as an extension of the artist's interest in exploring materiality, memory, distortion, and transformation.
De Cotiis has stated that his works embody a duality between "serene" and "restless," qualities he aims to capture through organic forms and shifting reflections. By using materials like bronze and glass, De Cotiis creates an interplay of opacity and translucency that invites viewers to slow down and absorb nuance.
The exhibition is not just about the individual pieces but also about how they come together to evoke a contemplative sense of nature. It's a response to the fast-paced urban environment that often detaches us from the transformative power of the natural world. By recreating the sensation of a pond, where ethereal creatures drift and dissolve, De Cotiis's installation invites viewers to slow down.
In this sense, De Cotiis contributes to current conversations around materiality by bringing an otherworldly sculptural language to contemporary discourse. He merges ancient idioms with futuristic forms and expressions, creating reflective surfaces and transforming imperfection and patina into sources of beauty.
Ultimately, the exhibition is about inviting viewers to experience a fluid, immersive environment that embodies the evocative, transcendental nature of water lilies. It's a testament to De Cotiis's ability to merge different styles and create something new, innovative, and captivating.
The 50-piece spatial composition, created by De Cotiis, features cast white bronze and hand-painted Murano glass sculptures, echoing Claude Monet's late water lily landscapes where vision dissolves into abstraction. This exhibition serves as an extension of the artist's interest in exploring materiality, memory, distortion, and transformation.
De Cotiis has stated that his works embody a duality between "serene" and "restless," qualities he aims to capture through organic forms and shifting reflections. By using materials like bronze and glass, De Cotiis creates an interplay of opacity and translucency that invites viewers to slow down and absorb nuance.
The exhibition is not just about the individual pieces but also about how they come together to evoke a contemplative sense of nature. It's a response to the fast-paced urban environment that often detaches us from the transformative power of the natural world. By recreating the sensation of a pond, where ethereal creatures drift and dissolve, De Cotiis's installation invites viewers to slow down.
In this sense, De Cotiis contributes to current conversations around materiality by bringing an otherworldly sculptural language to contemporary discourse. He merges ancient idioms with futuristic forms and expressions, creating reflective surfaces and transforming imperfection and patina into sources of beauty.
Ultimately, the exhibition is about inviting viewers to experience a fluid, immersive environment that embodies the evocative, transcendental nature of water lilies. It's a testament to De Cotiis's ability to merge different styles and create something new, innovative, and captivating.