Candida Meyrick's avian self-help book 'Be More Bird' reads more like an awkward parroting of tired clichés rather than a soaring exploration of the inner life of its titular character, Sophia Houdini White Wing – or Bird, as she's affectionately known. Meyrick attempts to pass off her 20 "life lessons" derived from Bird's supposed musings as profound wisdom, but beneath the surface lies a book that feels contrived and plodding.
By anthropomorphizing Bird, Meyrick strips away the complexity of its bodily existence, reducing it to trite sayings like "stay true to your higher self" and "hold your ground." The book's author, however, seems more invested in doling out advice than genuinely grappling with Bird's life. Take, for instance, the hawk's impressive physicality – its meticulously calibrated hunting weight, its seasonal molts, and its remarkable adaptability.
Instead of delving deeper into these fascinating aspects of Bird's life, Meyrick resorts to hyperbole, proclaiming "memory, the gift of memory, is celestial, airborne, just like Bird." Such bombastic declarations only serve to highlight the author's shallow understanding of her subject. One can almost sense Meyrick's desperation to distance herself from Helen Macdonald's bestselling 'H Is for Hawk,' which arguably offers a more nuanced exploration of the human-nature interface.
In an effort to sidestep criticism, Meyrick has opted for a contrived approach, layering on metaphysical jargon and platitudes that ultimately feel like they're being spouted from a self-help manual rather than emerging organically from Bird's experiences. This lack of subtlety renders 'Be More Bird' a less-than-inspiring read, one that fails to soar on the wings of its avian muse.
By anthropomorphizing Bird, Meyrick strips away the complexity of its bodily existence, reducing it to trite sayings like "stay true to your higher self" and "hold your ground." The book's author, however, seems more invested in doling out advice than genuinely grappling with Bird's life. Take, for instance, the hawk's impressive physicality – its meticulously calibrated hunting weight, its seasonal molts, and its remarkable adaptability.
Instead of delving deeper into these fascinating aspects of Bird's life, Meyrick resorts to hyperbole, proclaiming "memory, the gift of memory, is celestial, airborne, just like Bird." Such bombastic declarations only serve to highlight the author's shallow understanding of her subject. One can almost sense Meyrick's desperation to distance herself from Helen Macdonald's bestselling 'H Is for Hawk,' which arguably offers a more nuanced exploration of the human-nature interface.
In an effort to sidestep criticism, Meyrick has opted for a contrived approach, layering on metaphysical jargon and platitudes that ultimately feel like they're being spouted from a self-help manual rather than emerging organically from Bird's experiences. This lack of subtlety renders 'Be More Bird' a less-than-inspiring read, one that fails to soar on the wings of its avian muse.