Horn, Piano, and Donkey: A Recital of Nuanced Expression
The lunchtime concert series at [venue] has consistently demonstrated a commitment to showcasing innovative music, and the latest offering from horn player Ben Goldscheider and pianist Richard Uttley was no exception. The duo's thoughtful programming choice yielded a sonorous and satisfying performance that left the audience in awe.
Their repertoire began with Schumann's Three Fantasiestücke, Op 73, a piece typically associated with clarinet or cello players. However, Goldscheider's horn proved to be an ideal fit for the Romantic-era composition, allowing the full range of Schumann's emotional depth to shine through. The chemistry between Goldscheider and Uttley was palpable, as if each musician was attuned to the other in a way that transcended mere technical proficiency.
The duo's commission from Simon Holt, "The Bell," offered an arresting opening that gradually gave way to a dynamic dialogue between the instruments. The glistening bell-like sounds of Holt's keyboard served as the perfect foil to Goldscheider's rich horn phrases, while the final clarion statement in the piece felt like a defiant flourish.
Oliver Leith's "Eeyore" brought a touch of humor to the program, with its soulful and lugubrious take on the beloved donkey character. The performance was marked by affectionate mockery, rather than actual ridicule, and the musical argument was consistently sustained throughout the four-section work.
The set also featured Scriabin's Romance for Horn and Piano, an early work that showcased the composer's passion and promise. Esa-Pekka Salonen's "Horn Music 1" provided a dynamic interpretation, with an extended horn solo bringing added flair to the piece.
At its heart was Mahler's "Urlicht," a piece that Goldscheider played with a touch of magic. The translation "Primordial Light" seemed fitting for the anonymous poet's longing for illumination. As Uttley accompanied him on piano, the performance unfolded with expressive lines and a lambent glow that left the audience deeply moved.
Throughout the recital, it was clear that Goldscheider and Uttley were more than just two musicians working together – they were two musical souls, equally attuned to each other's sensibilities. The program served as a testament to their partnership, showcasing a nuanced understanding of music that was both sonorous and satisfying.
The lunchtime concert series at [venue] has consistently demonstrated a commitment to showcasing innovative music, and the latest offering from horn player Ben Goldscheider and pianist Richard Uttley was no exception. The duo's thoughtful programming choice yielded a sonorous and satisfying performance that left the audience in awe.
Their repertoire began with Schumann's Three Fantasiestücke, Op 73, a piece typically associated with clarinet or cello players. However, Goldscheider's horn proved to be an ideal fit for the Romantic-era composition, allowing the full range of Schumann's emotional depth to shine through. The chemistry between Goldscheider and Uttley was palpable, as if each musician was attuned to the other in a way that transcended mere technical proficiency.
The duo's commission from Simon Holt, "The Bell," offered an arresting opening that gradually gave way to a dynamic dialogue between the instruments. The glistening bell-like sounds of Holt's keyboard served as the perfect foil to Goldscheider's rich horn phrases, while the final clarion statement in the piece felt like a defiant flourish.
Oliver Leith's "Eeyore" brought a touch of humor to the program, with its soulful and lugubrious take on the beloved donkey character. The performance was marked by affectionate mockery, rather than actual ridicule, and the musical argument was consistently sustained throughout the four-section work.
The set also featured Scriabin's Romance for Horn and Piano, an early work that showcased the composer's passion and promise. Esa-Pekka Salonen's "Horn Music 1" provided a dynamic interpretation, with an extended horn solo bringing added flair to the piece.
At its heart was Mahler's "Urlicht," a piece that Goldscheider played with a touch of magic. The translation "Primordial Light" seemed fitting for the anonymous poet's longing for illumination. As Uttley accompanied him on piano, the performance unfolded with expressive lines and a lambent glow that left the audience deeply moved.
Throughout the recital, it was clear that Goldscheider and Uttley were more than just two musicians working together – they were two musical souls, equally attuned to each other's sensibilities. The program served as a testament to their partnership, showcasing a nuanced understanding of music that was both sonorous and satisfying.
I'm telling you, this concert was way too perfect. Like, did Ben Goldscheider and Richard Uttley really just happen to have the exact right chemistry? 
And what's up with all these composers being featured? It's like they're trying to brainwash us into thinking classical music is actually good 
. I mean, Scriabin's Romance for Horn and Piano was okay, but it felt like a calculated move to appeal to the masses. And don't even get me started on that "Urlicht" piece... Mahler just happens to write something with exactly the right emotional resonance for this guy's horn playing? 
, and Richard Uttley on piano was super supportive. I love how they chose some unexpected pieces, like Schumann's Three Fantasiestücke, which is usually for clarinet or cello. But it totally worked with the horn! The chemistry between them is real - you can tell they're mates on stage. And Oliver Leith's "Eeyore" was a great touch, it added some humor to the program 
. I also liked how they played Scriabin's Romance for Horn and Piano, that's an early work but still really cool.
. It was so expressive and emotional, I felt all the feels! The way Uttley accompanied him on piano was spot on too. They're definitely two musical souls who are meant to be together 
. All in all, it was a fantastic recital that showcased their partnership and musicianship.
! They totally deserved the accolades for bringing out such nuance in those classical pieces. I mean, Schumann's Fantasy Stücke on horn is a game-changer, right? It was so cool to see how they worked together, like they were two musical minds in sync 
. And that Simon Holt piece, "The Bell", gave me chills! The way the bell-like sounds and Goldscheider's horn phrases intertwined was pure magic 
. Overall, this recital showcased what happens when two talented musicians come together in perfect harmony 
.
That Schumann piece was a game changer 
- the horn player Ben Goldscheider and pianist Richard Uttley are just meant to be together on stage. I mean, have you heard them play "Urlicht" by Mahler? It's like they're speaking a different language of music 
. And don't even get me started on their chemistry - it's like they're two musical twins who know exactly what the other is thinking 
. The programming was so thoughtful too, with that Simon Holt piece "The Bell" being a total game-changer 
. Goldscheider's horn playing is just insane, and Uttley's piano skills are on point 
. I'm already counting down to their next show 
.
! the way they bring out each other's talents is just incredible. i love how they chose those lesser-known pieces to showcase their skills - it shows they're not afraid to take risks and try new things 
it's clear they have an incredible chemistry and trust in each other, which makes their performance even more special 
the way they played scriabin's romance for horn and piano was so hauntingly beautiful it gave me chills 
but what really stood out to me was how they reimagined oliver leith's "eeyore" - i mean who wouldn't want to hear a musical take on the loveliest donkey in all of disney? 
it sounds like so much fun! Goldscheider's horn playing is insane 
and Uttley's piano skills are straight fire 
the way they worked together to bring out each other's vibes was pure magic 
ben and richard are def one of those magic duos that just vibe on a deeper level... i need to see them live ASAP! 
. But seriously, Ben Goldscheider and Richard Uttley's performance sounded SO good! I love how they rearranged Schumann's piece for horn - it was like a whole new instrument 
. I need to check out Oliver Leith's "Eeyore" now, sounds adorable 
.
it's clear they're meant to be on stage together