Biffy Clyro's latest tour marks a resounding return to form for the Scottish rockers, with their 2025 album Futique serving as a testament to their renewed purpose and connection. The band has weathered a tumultuous period, marked by burnout, internal conflicts, and personal struggles, but their new songs feel like a triumphant rebirth.
In concert, Biffy Clyro's energy is palpable, with Simon Neil's voice soaring on anthemic choruses like the one in "A Little Love," where he croons, "With a little love, we can conquer all." The opening track sets the tone for a night that sees the band pay tribute to their departed founding member James Johnston with the urgent and catchy "Friendshipping." This ode to maintaining relationships is a fitting addition to their latest material.
Futique's influence from art-rock pioneers like Bowie, Iggy, and Nick Cave's Birthday Party is evident, but the band's sound remains firmly rooted in pop sensibilities. Tracks like "Goodbye" and "Shot One" showcase this new direction, with "Goodbye" unfolding into a sweeping anthem that showcases Neil's vocal range, while "Shot One" expertly blends sugary melodies with crushing riffs.
The setlist also delves into the band's back catalog, with dual violins on "That Golden Rule" adding a tense, wiry texture to the proceedings. The stripped-back acoustic delivery of "Machines" provides a poignant counterpoint to the more bombastic moments, like the thunderous "Living Is a Problem Because Everything Dies." When Biffy Clyro reach their most explosive levels, their music is both piercing and arresting.
While there are moments where the set feels slightly familiar and repetitive, the closing one-two of "Bubbles" and "Many of Horror" serves as a potent sign-off. With confetti cannons exploding into the air as they leave the stage, it's clear that Biffy Clyro have successfully conquered their past demons and returned stronger than ever.
In concert, Biffy Clyro's energy is palpable, with Simon Neil's voice soaring on anthemic choruses like the one in "A Little Love," where he croons, "With a little love, we can conquer all." The opening track sets the tone for a night that sees the band pay tribute to their departed founding member James Johnston with the urgent and catchy "Friendshipping." This ode to maintaining relationships is a fitting addition to their latest material.
Futique's influence from art-rock pioneers like Bowie, Iggy, and Nick Cave's Birthday Party is evident, but the band's sound remains firmly rooted in pop sensibilities. Tracks like "Goodbye" and "Shot One" showcase this new direction, with "Goodbye" unfolding into a sweeping anthem that showcases Neil's vocal range, while "Shot One" expertly blends sugary melodies with crushing riffs.
The setlist also delves into the band's back catalog, with dual violins on "That Golden Rule" adding a tense, wiry texture to the proceedings. The stripped-back acoustic delivery of "Machines" provides a poignant counterpoint to the more bombastic moments, like the thunderous "Living Is a Problem Because Everything Dies." When Biffy Clyro reach their most explosive levels, their music is both piercing and arresting.
While there are moments where the set feels slightly familiar and repetitive, the closing one-two of "Bubbles" and "Many of Horror" serves as a potent sign-off. With confetti cannons exploding into the air as they leave the stage, it's clear that Biffy Clyro have successfully conquered their past demons and returned stronger than ever.
i'm literally shook rn! Biffy Clyro back at it like no one's business - that new album Futique is EVERYTHING and more!!! Simon Neil's vocals on "A Little Love" tho... chills every time 
I know they went through some tough times but this tour says everything about their growth and connection as a band. "Friendshipping" is giving me LIFE 
and the way they pay tribute to James Johnston is so beautiful 
. Can't wait for more music from them!!! 
every time he belts out those anthemic choruses. I love how they're paying tribute to James Johnston with "Friendshipping" - it's such a fitting addition to their new album, Futique 
. And can we talk about the influences from art-rock legends like Bowie and Iggy Pop? It's like they've tapped into this genius zone 
. The setlist is so well curated, taking us on this emotional rollercoaster through both old and new tracks. I'm totes impressed by how strong they sound after going through all that personal stuff 
. The closing two tracks are just perfection - it's like the confetti cannons were meant for those final moments of triumph 
i mean, i'm so glad they're doing this again, it's been way too long since we've seen them live 
the crowd was singing along to every word on "a little love" and it was just... wow 
the tribute to james johnston was so beautiful and poignant, it really made me think about how much i care about that guy 
anyway, can't wait for them to come back and do this all again soon 
. Of course, there are some moments where it feels a bit familiar, but the closing two songs... wow! The way they just blow off steam and leave the stage is just the perfect ending to an incredible show 
. The art-rock influences are so cool, and I love how they've blended them with their pop sensibilities 
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! Simon neil's voice is still insane, i mean we all thought he was done after that whole burnout thing, but clearly he's bounced back with some serious fire in his belly. and their new album futique? top notch, sounds like they're drawing from all the best art-rock influences while still keeping it poppy, not an easy feat to pull off, but they nail it.
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, it's really touching. the setlist is so diverse and fun, from those anthemic choruses to the more stripped-back acoustic moments 
. I loved that they played some of their old songs with new energy, and also some brand new ones that sound so different from what we're used to.
. But hey, if it works for them and the crowd is loving it, more power to 'em! I just wish they played their song "Many of Horror" a bit faster - that one always gets me pumped up 
. I mean, don't get me wrong, Simon Neil's voice is still on point, but the whole thing feels like a calculated attempt to relive their glory days rather than forging something new. That "Futique" album just sounds like a nostalgia trip to me 
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, but those last two songs just blew me away 
It's like they were all just taking a little break to recharge their guitars, because that's exactly what it feels like – a super well-oiled machine (pun intended) that just got back together and is ready to rock