Bog People: A Working-Class Anthology of Folk Horror is a darkly unsettling collection that masterfully explores the complexities of class, hierarchy, and tradition in rural England. Editor Hollie Starling has assembled 10 stories from accomplished authors, weaving a narrative tapestry that feels both intimate and eerie.
The anthology begins with AK Blakemore's story, which introduces us to an eternal stew passed around a village, its contents a mysterious blend of meat and grief. This is just one example of the collection's ability to craft haunting tales that linger long after the final page is turned. Other notable stories include Jenn Ashworth's "The Hanging Stones," which features a chilling line about candles once lit, and Tom Benn's "It Fair Give Me the Spikes," a visceral exploration of industrial decay.
One of the anthology's greatest strengths lies in its willingness to confront themes of class and identity head-on, albeit often through subtle suggestion rather than explicit statement. This approach allows readers to fill in the gaps and connect with the stories on their own terms. The use of stylized prose, including italicized dialogue and textual irregularity, adds to the anthology's sense of unease and disorientation.
Throughout the collection, the authors' protagonists often embody elitist views that have been passed down through generations, illustrating the insidious effects of class bias on individuals and communities. However, this is not a collection about explicitly addressing social inequality; rather, it's about excavating the complexities of human experience in rural England.
Ultimately, Bog People is an urgent reminder that folk horror remains a vital part of our national storytelling tradition. By embracing its darker themes and exploring the intersections between folklore, oral history, and grief, these authors have crafted a collection that feels both deeply rooted in place and universally relatable. As with any effective anthology, it's difficult to pinpoint individual highlights – each story has its own distinct atmosphere and resonance.
What sets Bog People apart is its willingness to push against the boundaries of genre and storytelling. The prose is often lyrical and unsettling, drawing readers into a world that feels both familiar and strange. In every story, certain passages stand out in stark silhouette, speaking to something deeper about human existence: the fear of being unknown, the fragility of national identity, or the enduring power of superstition.
Bog People is not an easy read; it's a challenging one. But for those willing to immerse themselves in its dark world, this anthology offers a deeply unsettling and thought-provoking exploration of our collective fears and anxieties.
The anthology begins with AK Blakemore's story, which introduces us to an eternal stew passed around a village, its contents a mysterious blend of meat and grief. This is just one example of the collection's ability to craft haunting tales that linger long after the final page is turned. Other notable stories include Jenn Ashworth's "The Hanging Stones," which features a chilling line about candles once lit, and Tom Benn's "It Fair Give Me the Spikes," a visceral exploration of industrial decay.
One of the anthology's greatest strengths lies in its willingness to confront themes of class and identity head-on, albeit often through subtle suggestion rather than explicit statement. This approach allows readers to fill in the gaps and connect with the stories on their own terms. The use of stylized prose, including italicized dialogue and textual irregularity, adds to the anthology's sense of unease and disorientation.
Throughout the collection, the authors' protagonists often embody elitist views that have been passed down through generations, illustrating the insidious effects of class bias on individuals and communities. However, this is not a collection about explicitly addressing social inequality; rather, it's about excavating the complexities of human experience in rural England.
Ultimately, Bog People is an urgent reminder that folk horror remains a vital part of our national storytelling tradition. By embracing its darker themes and exploring the intersections between folklore, oral history, and grief, these authors have crafted a collection that feels both deeply rooted in place and universally relatable. As with any effective anthology, it's difficult to pinpoint individual highlights – each story has its own distinct atmosphere and resonance.
What sets Bog People apart is its willingness to push against the boundaries of genre and storytelling. The prose is often lyrical and unsettling, drawing readers into a world that feels both familiar and strange. In every story, certain passages stand out in stark silhouette, speaking to something deeper about human existence: the fear of being unknown, the fragility of national identity, or the enduring power of superstition.
Bog People is not an easy read; it's a challenging one. But for those willing to immerse themselves in its dark world, this anthology offers a deeply unsettling and thought-provoking exploration of our collective fears and anxieties.