Boris Godunov: A Descent into Madness at the Royal Opera House
The curtain falls on Richard Jones's haunting production of Mussorgsky's opera, Boris Godunov, with a brutal scene that sets the tone for the rest of the performance. The opening act is a harrowing flashback that introduces the audience to the protagonist, later revealed as Boris Godunov, and hints at the darkness that lies ahead.
Jones's set design is simple yet effective, with a single cavernous box that serves as the backdrop for the entire opera. The lighting is stunning, providing beautiful contrast between light and dark. However, it is Mussorgsky's score that truly brings the drama to life. The conductor, Mark Wigglesworth, expertly balances the music's muddiest passages with moments of tenderness and delicacy.
The cast delivers a strong performance, with standout roles from Adam Palka as Pimen and Andrii Kymach as Shchelkalov. Robert Berry-Roe shines in the role of Boris's son, bringing a sense of vulnerability to the character. Newcomers Alexander Roslavets as Varlaam and Jamez McCorkle as Grigory Otrepiev also impress with their nuanced portrayals.
But it is Bryn Terfel who truly steals the show as the titular character. His performance is raw and intense, capturing the complexity of Boris Godunov's troubled psyche. With a wild-eyed gaze and violent consonants, Terfel brings a sense of madness to the stage. Yet, his voice remains rich and supple, imbuing the character with a deep humanity that makes him ultimately relatable.
The pacing is relentless in this production, building towards a dramatic climax that will leave audiences on the edge of their seats. With Mussorgsky's score pounding away beneath it all, Boris Godunov is an opera that refuses to let you go. It's a brutal and unflinching portrayal of power and madness, one that will linger long after the curtain falls.
The curtain falls on Richard Jones's haunting production of Mussorgsky's opera, Boris Godunov, with a brutal scene that sets the tone for the rest of the performance. The opening act is a harrowing flashback that introduces the audience to the protagonist, later revealed as Boris Godunov, and hints at the darkness that lies ahead.
Jones's set design is simple yet effective, with a single cavernous box that serves as the backdrop for the entire opera. The lighting is stunning, providing beautiful contrast between light and dark. However, it is Mussorgsky's score that truly brings the drama to life. The conductor, Mark Wigglesworth, expertly balances the music's muddiest passages with moments of tenderness and delicacy.
The cast delivers a strong performance, with standout roles from Adam Palka as Pimen and Andrii Kymach as Shchelkalov. Robert Berry-Roe shines in the role of Boris's son, bringing a sense of vulnerability to the character. Newcomers Alexander Roslavets as Varlaam and Jamez McCorkle as Grigory Otrepiev also impress with their nuanced portrayals.
But it is Bryn Terfel who truly steals the show as the titular character. His performance is raw and intense, capturing the complexity of Boris Godunov's troubled psyche. With a wild-eyed gaze and violent consonants, Terfel brings a sense of madness to the stage. Yet, his voice remains rich and supple, imbuing the character with a deep humanity that makes him ultimately relatable.
The pacing is relentless in this production, building towards a dramatic climax that will leave audiences on the edge of their seats. With Mussorgsky's score pounding away beneath it all, Boris Godunov is an opera that refuses to let you go. It's a brutal and unflinching portrayal of power and madness, one that will linger long after the curtain falls.