James L Brooks' directorial attempt at a comedy-drama, 'Ella McCay', feels like a relic from a bygone era. The film's mid-budget adult nature and broad appeal evoke memories of the 90s and aughts, when movies like 'Confessions of a Shopaholic' and 'Miss Congeniality' would have received more cinematic attention before the streaming wars consumed the market.
The story revolves around Ella McCay, played by Emma Mackey, who overcomes her father's philandering past and mother's untimely death to become one of Michigan's youngest political fixtures. However, this narrative thread quickly unravels into disconnected tangents that lack a cohesive rhythm. Brooks' direction seems to prioritize sweetening the story with neatly tied bows at the end of each scene.
The film boasts an all-star cast, including Julie Kavner as Ella's secretary and narrator, Woody Harrelson as her philandering father, Rebecca Hall as her mother, Jamie Lee Curtis as her Aunt Helen, Jack Lowden as her husband Ryan, Spike Fearn as her younger brother Casey, Kumail Nanjiani as a state trooper, and Albert Brooks as Governor Bill. Despite their impressive credentials, even the lead actress fails to elevate the weak protagonist.
The movie's attempt at exploring McCay's rise to politics is half-baked, with an unclear motivation for her ascension to governor in 2008. Instead of delving into the complexities of McCay's story, Brooks' film rambles about as if rummaging through a teenager's room, pulling out random objects and tying them together without rhyme or reason.
The only glimmer of hope comes when Mackey's character faces a choice between her morals and marriage. For a fleeting moment, the movie hints at something more substantial beneath its polished surface. However, this tantalizing glimpse is quickly snuffed out by the film's overall lack of coherence and compelling storytelling.
Ultimately, 'Ella McCay' feels like a sorry mess – a jumbled collection of characters with unclear motivations and a narrative that defies basic story logic. Even with an impressive cast, even Brooks' seasoned direction fails to elevate this underwhelming attempt at a comedy-drama.
The story revolves around Ella McCay, played by Emma Mackey, who overcomes her father's philandering past and mother's untimely death to become one of Michigan's youngest political fixtures. However, this narrative thread quickly unravels into disconnected tangents that lack a cohesive rhythm. Brooks' direction seems to prioritize sweetening the story with neatly tied bows at the end of each scene.
The film boasts an all-star cast, including Julie Kavner as Ella's secretary and narrator, Woody Harrelson as her philandering father, Rebecca Hall as her mother, Jamie Lee Curtis as her Aunt Helen, Jack Lowden as her husband Ryan, Spike Fearn as her younger brother Casey, Kumail Nanjiani as a state trooper, and Albert Brooks as Governor Bill. Despite their impressive credentials, even the lead actress fails to elevate the weak protagonist.
The movie's attempt at exploring McCay's rise to politics is half-baked, with an unclear motivation for her ascension to governor in 2008. Instead of delving into the complexities of McCay's story, Brooks' film rambles about as if rummaging through a teenager's room, pulling out random objects and tying them together without rhyme or reason.
The only glimmer of hope comes when Mackey's character faces a choice between her morals and marriage. For a fleeting moment, the movie hints at something more substantial beneath its polished surface. However, this tantalizing glimpse is quickly snuffed out by the film's overall lack of coherence and compelling storytelling.
Ultimately, 'Ella McCay' feels like a sorry mess – a jumbled collection of characters with unclear motivations and a narrative that defies basic story logic. Even with an impressive cast, even Brooks' seasoned direction fails to elevate this underwhelming attempt at a comedy-drama.