I loved how Chloé Zhao created this safe space with her cast and crew, it really allowed them to get so real and raw with their emotions. Like, you can see the trust and connection between Buckley and Zhao just radiating off the screen in that mother-son scene with Jacobi Jupe... it's honestly giving me all the feels
I just watched 'Hamnet' and I'm still reeling from it! Chloé Zhao's direction is like a masterclass in building emotional intimacy between actors - I mean, Jessie Buckley was so raw and vulnerable as Agnes, it felt like she was sharing her own pain on screen . And can we talk about Jacobi Jupe, the kid who played Hamnet? He's got some serious acting chops for a 12-year-old .
I love how Zhao lets the actors breathe and explore their emotions during filming - it's clear that trust is key in creating something truly special . And that score by Max Richter? Chills every time I listen to "This Bitter Earth/On the Nature of Daylight"... it's like the music and acting come together in perfect harmony .
What struck me most, though, was how 'Hamnet' made me feel - like it was a conversation with an old friend who gets you in all the messy, beautiful ways . I'm so grateful for films like this that remind us we're not alone in our grief and pain...
OMG, I'm literally so invested in Chloé Zhao's direction with this film "Hamnet" ! She has this super intuitive way of knowing exactly when to push you to tap into your emotions and it's honestly breathtaking to see how she & Jessie Buckley formed such a deep bond on set . The way they both let go of their inhibitions and just surrendered to the moment is like, totally captivating . And that score by Max Richter? FORGET ABOUT IT ! It's like it was made for the film. I love how Zhao doesn't hold back on giving her actors space to explore their characters and emotions – it's so refreshing to see a director who trusts her cast & crew .
I think what resonates with me about 'Hamnet' is how it explores the complexities of grief and human connection in such a raw and honest way It's not just a film about losing someone, but also about finding ways to heal and move forward. Chloé Zhao's approach to filmmaking is really unique - she doesn't shy away from uncertainty and ambiguity, which I think allows for a more authentic portrayal of life
For me, it's interesting how Buckley credits Zhao with creating a safe space for them to feel vulnerable together It's like they were able to tap into each other's emotions in a way that felt deeply personal. And I love how the film's conclusion is intentionally open-ended - it leaves you feeling contemplative and reflective, which I think is really beautiful
The way Chloé Zhao directed Jessie Buckley on 'Hamnet' was like a masterclass in vulnerability . I loved how they created this safe space where they could feel all the emotions and connect on a deeper level . It's clear that their bond grew stronger throughout filming, and that trust is essential for making magic happen on screen . The way Buckley described feeling lost at first, but then surrendering to the moment after listening to that gorgeous score ... it gives me chills . I think Zhao's approach is so refreshing - no clear ending, just letting the story unfold organically . It makes for a more nuanced and human experience, you know?
I loved how Chloé Zhao created this safe space with her cast and crew, it really allowed them to get so real and raw with their emotions. Like, you can see the trust and connection between Buckley and Zhao just radiating off the screen in that mother-son scene with Jacobi Jupe... it's honestly giving me all the feels 
. And can we talk about Jacobi Jupe, the kid who played Hamnet? He's got some serious acting chops for a 12-year-old 
.
. And that score by Max Richter? Chills every time I listen to "This Bitter Earth/On the Nature of Daylight"... it's like the music and acting come together in perfect harmony 
.
. I'm so grateful for films like this that remind us we're not alone in our grief and pain... 
. The way they both let go of their inhibitions and just surrendered to the moment is like, totally captivating 
. And that score by Max Richter? FORGET ABOUT IT 
! It's like it was made for the film. I love how Zhao doesn't hold back on giving her actors space to explore their characters and emotions – it's so refreshing to see a director who trusts her cast & crew 
.
. It's clear that their bond grew stronger throughout filming, and that trust is essential for making magic happen on screen 
. I think Zhao's approach is so refreshing - no clear ending, just letting the story unfold organically 
. It makes for a more nuanced and human experience, you know?