In Anika Jade Levy's scathing debut novel Flat Earth, the lines between art, commerce, and existential dread are starkly blurred. The story follows Avery, a struggling writer who harbors an unrelenting resentment towards her best friend Frances - a beautiful, wealthy, and celebrated artist.
Frances's rise to fame has left Avery feeling increasingly marginalized and irrelevant. The two women's lives were once intertwined, but after Frances drops out of graduate school to get married, Avery is forced to take on menial jobs, including an entry-level position at the right-wing dating app Patriarchy. It is here that we find Avery navigating a world where feminism has lost its luster and sexism masquerades as 'regressive ideas about gender'.
As Avery's frustration grows, her behavior becomes increasingly erratic - from wearing cow-print outfits to signal fertility, to taking advice from online life coaches on how to behave in the most feminine way possible. The result is a world that feels suffocatingly bleak and cruel.
Despite Levy's laconic prose, which at times borders on simplicity, there is an undeniable power to her writing. Flat Earth reads like a fever dream of contemporary America - where late-stage capitalism has spawned a moral vacuum and eco-pessimism looms over every horizon.
What's striking about Avery's descent into despair is how thoroughly she has internalized the worst values of our society. Her cynicism towards feminism, coupled with her desperation to cling to youth and beauty, makes for a deeply uncomfortable reading experience.
Yet, amidst all the darkness, there are moments that suggest there may be hope - a glimmer of possibility in Avery's eyes as she is forced to confront the emptiness of her own existence. Perhaps it's Levy's quiet suggestion that Avery might discover an inner life, one that could transcend the toxic forces that have consumed her.
Flat Earth is not a joyful book - nor is it supposed to be. But in its unflinching portrayal of a society on the brink of collapse, we find a searing indictment of our times. Levy's prose may be spare, but her vision for an alternative world is anything but.
Frances's rise to fame has left Avery feeling increasingly marginalized and irrelevant. The two women's lives were once intertwined, but after Frances drops out of graduate school to get married, Avery is forced to take on menial jobs, including an entry-level position at the right-wing dating app Patriarchy. It is here that we find Avery navigating a world where feminism has lost its luster and sexism masquerades as 'regressive ideas about gender'.
As Avery's frustration grows, her behavior becomes increasingly erratic - from wearing cow-print outfits to signal fertility, to taking advice from online life coaches on how to behave in the most feminine way possible. The result is a world that feels suffocatingly bleak and cruel.
Despite Levy's laconic prose, which at times borders on simplicity, there is an undeniable power to her writing. Flat Earth reads like a fever dream of contemporary America - where late-stage capitalism has spawned a moral vacuum and eco-pessimism looms over every horizon.
What's striking about Avery's descent into despair is how thoroughly she has internalized the worst values of our society. Her cynicism towards feminism, coupled with her desperation to cling to youth and beauty, makes for a deeply uncomfortable reading experience.
Yet, amidst all the darkness, there are moments that suggest there may be hope - a glimmer of possibility in Avery's eyes as she is forced to confront the emptiness of her own existence. Perhaps it's Levy's quiet suggestion that Avery might discover an inner life, one that could transcend the toxic forces that have consumed her.
Flat Earth is not a joyful book - nor is it supposed to be. But in its unflinching portrayal of a society on the brink of collapse, we find a searing indictment of our times. Levy's prose may be spare, but her vision for an alternative world is anything but.