The article discusses the 13th Seoul Mediacity Biennale, which explored the role of spiritual experience in the development of modern and contemporary art. The exhibition, titled "Séance: Technology of the Spirit," was a unique blend of spirituality and technology, featuring artists who used alternative forms of knowledge for inspiration.
The article highlights how the exhibition reframed the supernatural as part of everyday life, reflecting a more fluid worldview within many Asian cultural frameworks. The show treated spiritualism as technology, exploring how artists have used technologies to connect with other worlds or dimensions.
The article also notes that this approach is not unique to Seoul and can be seen in various exhibitions and biennials globally. For example, the Kunstmuseum Basel is currently staging an exhibition on Western fascination with ghosts, while the Museum of Modern Art has a tribute to Wilfredo Lam's work, which explores his use of color as a means of accessing spiritual realms.
The article concludes that these exhibitions signal a wider institutional interest in art that engages spiritual, mystical, or occult frameworks. This shift should not be seen as a romantic throwback but rather as a meaningful and timely response to the limitations of purely rational, techno-capitalist narratives. The exhibitions offer an alternative way of rethinking the relationship between imagination, technology, and the physical world, opening up legitimate domains of artistic inquiry and timely cultural and existential reflection.
Key points:
* The 13th Seoul Mediacity Biennale explored the role of spiritual experience in modern and contemporary art.
* The exhibition "Séance: Technology of the Spirit" reframed the supernatural as part of everyday life.
* The show treated spiritualism as technology, exploring how artists have used technologies to connect with other worlds or dimensions.
* This approach is not unique to Seoul and can be seen in various exhibitions and biennials globally.
* The shift signals a wider institutional interest in art that engages spiritual, mystical, or occult frameworks.
* The exhibitions offer an alternative way of rethinking the relationship between imagination, technology, and the physical world.
The article highlights how the exhibition reframed the supernatural as part of everyday life, reflecting a more fluid worldview within many Asian cultural frameworks. The show treated spiritualism as technology, exploring how artists have used technologies to connect with other worlds or dimensions.
The article also notes that this approach is not unique to Seoul and can be seen in various exhibitions and biennials globally. For example, the Kunstmuseum Basel is currently staging an exhibition on Western fascination with ghosts, while the Museum of Modern Art has a tribute to Wilfredo Lam's work, which explores his use of color as a means of accessing spiritual realms.
The article concludes that these exhibitions signal a wider institutional interest in art that engages spiritual, mystical, or occult frameworks. This shift should not be seen as a romantic throwback but rather as a meaningful and timely response to the limitations of purely rational, techno-capitalist narratives. The exhibitions offer an alternative way of rethinking the relationship between imagination, technology, and the physical world, opening up legitimate domains of artistic inquiry and timely cultural and existential reflection.
Key points:
* The 13th Seoul Mediacity Biennale explored the role of spiritual experience in modern and contemporary art.
* The exhibition "Séance: Technology of the Spirit" reframed the supernatural as part of everyday life.
* The show treated spiritualism as technology, exploring how artists have used technologies to connect with other worlds or dimensions.
* This approach is not unique to Seoul and can be seen in various exhibitions and biennials globally.
* The shift signals a wider institutional interest in art that engages spiritual, mystical, or occult frameworks.
* The exhibitions offer an alternative way of rethinking the relationship between imagination, technology, and the physical world.
. I mean, we're living in a world where we're constantly told to rationalize everything, but these exhibitions are all about embracing our imagination and creativity. It's like, we need this kind of alternative perspective on the world, you know? 
the more i read about this séance exhibition, the more i think it's time to rethink our relationship with the tech world... we're already living in a reality where spiritual experiences are being used as inspiration for art 
. shouldn't that be the norm? not some fringe stuff only shown at biennales 
. anyway, it's cool to see artists pushing boundaries and exploring new ways of creating... maybe we can learn from them? 
I think it's really cool how this Seoul Mediacity Biennale brought spirituality into modern art. It makes me wonder if we're finally ready to acknowledge that there's more to life than just tech and science 
. And I love how this shift in art is also reflecting a broader cultural change, where people are more open to exploring different ways of experiencing life 
. Not everyone might agree, but for me, this kind of alternative thinking feels really needed right now 
! I mean, who wouldn't want to explore the intersection of spirituality and tech? It's like, we're living in a time where our daily lives are all about screens and innovation, so why not incorporate some spiritual vibes into it? 
. But what's dope is how it's sparking this wider conversation about the role of imagination and tech in our world. Like, we need more of that kind of thinking, you know? It's all about balance between the rational and the mystical... 
. I'm also loving the fact that Western art is getting in on this too 
. It's like, we're finally catching up with the East on this one 
. Can't wait to check out those exhibitions in Basel and MoMA 
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... i'm all for exploring the spiritual and mystical in art - it's like, we've been so caught up in tech and progress that we forgot how to tap into our own imagination 
. And what's up with the title? "Technology of the Spirit" sounds like a dodgy infomercial 
... would've preferred something more avant-garde 
. Maybe this is the start of something new - a more holistic way of thinking about art and technology? 
. It's like we're finally acknowledging that there's more to life than just tech and numbers 
. The more we challenge our rational thinking, the more room there is for creativity and innovation to flourish 
It's all about expanding our imagination and pushing boundaries. This shift in art isn't a throwback to the past, but more like a forward-thinking response to the limitations of rational thinking. We need more conversations that blur the lines between tech and spirituality! 
. Seriously though, I think this biennale is pretty cool. I mean who wouldn't want to explore the supernatural as part of everyday life? It's like, what if your smartphone can connect you to another world or something? 
. Can someone please provide some actual context or analysis behind this trend? I need to see some sources before I start jumping on the spiritual tech bandwagon 
.
. And who knows, maybe we'll get to a point where art isn't just about aesthetics anymore, but about tapping into the spiritual realm and all that's out there 
. We're moving away from just thinking with our heads and towards something more holistic 
. And what about the accessibility issues? Some pieces are gonna be impossible for non-tech-savvy folks to understand 