Tanika Gupta's bold adaptation of Ibsen's classic, Hedda, has transposed the iconic character to a world of Hollywood glamour and social hierarchy in post-war London. The result is a thought-provoking exploration of racism and identity set against the backdrop of emerging India and the restrictive social norms of middle-class England.
In this riveting reimagining, actress Pearl Chanda shines as Hedda, a movie star struggling to conceal her dual Anglo-Indian heritage. This carefully crafted secret threatens to upend her constructed life and expose the deep-seated prejudices that permeate her world. Gupta's masterful handling of Ibsen's themes allows for a nuanced examination of the societal pressures that force individuals to conform, suppressing their true selves.
The supporting cast delivers strong performances, particularly Rina Fatania as Shona, Hedda's maid, whose voice is often overlooked by those around her. The dynamic between Hedda and Lenny, her former flame (played by Jake Mann), adds a poignant layer of tension to the narrative, highlighting the complex emotions at play when secrets are revealed.
However, the pacing and character development sometimes falter, with the rapid-fire dialogue and shallow interactions between characters making it difficult to fully invest in their internal struggles. The plot is driven largely by Hedda's internal monologue, which often feels like a narrative device rather than an organic expression of her emotions.
Despite these limitations, Gupta's bold vision for this adaptation shines through, particularly in the way she has transposed the original story into a contemporary setting. By doing so, she sheds light on the pervasive racism that was then but remains today. This powerful exploration serves as a timely reminder of the ongoing struggle to reconcile our identities and societal expectations.
Hedda, directed by Hettie Macdonald, runs at the Orange Tree theatre until November 22nd.
In this riveting reimagining, actress Pearl Chanda shines as Hedda, a movie star struggling to conceal her dual Anglo-Indian heritage. This carefully crafted secret threatens to upend her constructed life and expose the deep-seated prejudices that permeate her world. Gupta's masterful handling of Ibsen's themes allows for a nuanced examination of the societal pressures that force individuals to conform, suppressing their true selves.
The supporting cast delivers strong performances, particularly Rina Fatania as Shona, Hedda's maid, whose voice is often overlooked by those around her. The dynamic between Hedda and Lenny, her former flame (played by Jake Mann), adds a poignant layer of tension to the narrative, highlighting the complex emotions at play when secrets are revealed.
However, the pacing and character development sometimes falter, with the rapid-fire dialogue and shallow interactions between characters making it difficult to fully invest in their internal struggles. The plot is driven largely by Hedda's internal monologue, which often feels like a narrative device rather than an organic expression of her emotions.
Despite these limitations, Gupta's bold vision for this adaptation shines through, particularly in the way she has transposed the original story into a contemporary setting. By doing so, she sheds light on the pervasive racism that was then but remains today. This powerful exploration serves as a timely reminder of the ongoing struggle to reconcile our identities and societal expectations.
Hedda, directed by Hettie Macdonald, runs at the Orange Tree theatre until November 22nd.