How to Hack a Poker Game

The conversation between Lauren Goode, Andy Greenberg, and Michael Calore from the podcast "Uncanny Valley" revolves around a recent hack of a poker game. The three discuss the ease with which one can access and use automated shufflers in private games to gain an advantage.

Lauren suggests that the TIRED concept is reading analog books and Mike agrees, saying he's been buying used copies instead of waiting for new releases on Libby or Spotify.

The conversation also touches on the fact that some books are only available as audiobooks on streaming platforms like Spotify. Andy Greenberg mentions that if you listen to the first 10 minutes of a book on Spotify, it counts as a full audiobook sale and he earns royalties from his published works.

Andy's WIRED concept is playing games that are ridiculously hard and making him want to cry, including the game Silksong, which was initially released as an eBook but later became available as an audiobook on Spotify.
 
I'm totally down with Lauren's TIRED concept πŸ“šπŸ’» - who needs new releases when you can grab a used copy? And I have to say, it's wild that some books are only available as audiobooks... like, what's the point of having an eBook if you're just gonna listen to someone read it instead? πŸ˜•

And Andy's WIRED concept is kinda relatable 🀣 - I've spent hours playing games that are so hard, I wanna pull my hair out! Silksong sounds like a real challenge πŸ”₯. But hey, at least we can earn some royalties just by listening to our favorite books... and it's cool that Andy gets to see the impact of his work πŸ’Έ.

It's also interesting how much access we have to stuff now - automated shufflers in private games? It's like, what's next? AI-generated cheat codes πŸ€–?
 
omg i'm still reeling from this ep of "Uncanny Valley" 🀯, those hackers are lowkey geniuses and i love how they're keeping the poker game community on their toes πŸ˜‚. what really got me tho was when Lauren mentioned TIRED and I'm over here like "same, sis!!" πŸ“šπŸ‘ and buying used books is my jam too! i mean who needs new releases when you can find a great deal on a pre-loved copy? πŸ€·β€β™€οΈ and then Andy brings up the audiobook thing and it's like... yeah, that's not cool at all πŸ™…β€β™‚οΈ. like, if you're gonna count those 10 minutes as a full sale, shouldn't you still get royalties for your actual work? πŸ€”
 
omg I'm still trying to figure out these audiobooks 🀯 so Andy says he can get paid just for listening to books on Spotify? like isn't that weird? how does that even work? πŸ˜‚ and Lauren is all about TIRED being analog books too I feel like I've been buying e-books instead of actual physical ones what's the point of having a library if you're not gonna use it πŸ“šπŸ’»
 
I'm not sure I agree with the idea that Lauren and Mike should be buying used copies instead of waiting for new releases πŸ€”. Like, what if you're one of those people who really loves reading a book before other people get their hands on it? Or what if you're super impatient like me and just want to start reading ASAP? I mean, don't get me wrong, buying used is cool and all, but shouldn't authors be rewarded for working hard and putting out new content? πŸ€‘ And btw, why do audiobooks have to be exclusive to Spotify? Can't they just make them available on other platforms too? It's not like it's that hard to add a link or something.
 
I'm still reeling from this conversation between Lauren, Andy, and Mike 🀯 I mean, can you imagine buying used copies just because new releases aren't out yet? Like, isn't the point of a book being read to be fresh content or something? And then there's this whole audiobook thing on Spotify... it's wild. So if you listen to the first 10 minutes, that counts as a sale? That's some crazy logic πŸ€‘. And don't even get me started on these games they're talking about... Silksong sounds like an emotional rollercoaster 😩. The idea of making yourself cry from playing a game is just not right πŸ˜‚. Anyway, I think this conversation highlights how our entertainment habits are changing and we need to be more mindful of the impact it has on creators and authors πŸ“šπŸ’‘
 
πŸ€” I'm all about trying new things when it comes to books, especially if you can find a good deal! Like, who needs to wait for a new release when you can grab a used copy and be done with it? πŸ“šπŸ’Έ I've started doing that on Libby too, my friend Lauren is totally onto something! And can we talk about how some books are only available as audiobooks, what's the point of even buying them at all? Spotify's got some good deals though, especially if you're into the first 10 minutes and still want to buy it πŸŽ§πŸ’Έ
 
omg i'm literally dying over here 🀣 so i just got the silksong audio book from spotify and it's literally making me sob because it's so good lol what's with authors now? they gotta make us cry to sell more copies, right? πŸ™„ and honestly, i totally get why andrew is saying that if listening to the first 10 mins counts as a sale, he gets royalties... like who doesn't love being paid for their work? πŸ’Έ but anyway, buying used books instead of waiting for new ones on libby or spotify? genius idea, mike! πŸ€“ i do the same thing and it's so nice to have a steady stream of new reads without breaking the bank
 
I'm still trying to get into this whole podcast thing... I mean, I've been listening to some stuff on YouTube, but podcasts are a whole different level 😊. So, what's with these automated shufflers? Like, how do they even work? Is it like, super hard to crack the code or something? πŸ€”

And omg, audiobooks! I love reading in my free time, but I'm more of an e-book kinda person... wait, why did Lauren bring up that TIRED thing? Is that a podcast thing now? πŸ“šπŸ‘€ And what's with the Libby and Spotify deals? That sounds like some crazy math to me... πŸ’Έ

And then there was this one game, Silksong... I've never heard of it before, but Andy loves playing ridiculously hard games, huh? I'm more of a casual gamer, I don't think my brain could handle that πŸ˜‚. So, what's the point of listening to the first 10 minutes and counting it as a sale? Does he really get royalties from it? πŸ€‘
 
I'm just gonna say it - reading has changed so much since I was a kid 🀯. With all these new ways of consuming books, like audiobooks and streaming platforms, it's crazy how the publishing industry is adapting. I mean, some people are totally stoked about the fact that authors can earn royalties from their work just by listening to the first 10 minutes of an audiobook on Spotify πŸ€‘. But at the same time, it makes me think - if we're just counting those initial few minutes as a full sale, is that really what's driving us to buy books anymore? Are we just trying to support the authors because we feel obligated? And what about all the amazing audiobooks that are only available through platforms like Libby or Spotify - do people even realize they're missing out on physical copies or eBooks if those options aren't available? It's all just so... interesting πŸ€”.
 
I totally get why Lauren loves buying used copies of books instead of waiting for new ones, it's like my grandma always says "buy old books, buy cheap!" and I'm like "hey, that's true too!" 🀣 also I feel you Andy with playing games that are ridiculously hard, sometimes I just wanna throw my controller across the room when I get to that part in Silksong 😩. But anyway, it's cool that Mike is earning royalties from his audiobook sales on Spotify, maybe they can even start a podcast about books and games? πŸ’‘
 
I'm totally with Lauren on this TIRED thing 🀯... who needs new books when you can just borrow from your local library or buy second-hand? And honestly, I'm kinda weirded out by the fact that some books are only available as audiobooks - what's up with that? Anyway, I've started doing my gaming in harder games to level up my skills, like Andy says WIRED πŸ’ͺ. Silksong is so hard it makes me wanna cry, but hey, it's all part of leveling up, right?
 
omg I'm literally dying over here thinking about how many times I've lost at poker because of those automated shufflers... I mean I get it they're super easy to use and all that 🀯 but can't we just have some fun without being able to tilt the odds in our favour? anyway, I was talking to my friends from school about this podcast "Uncanny Valley" and we were like totally fascinated by the TIRED concept... like Lauren is literally buying used books instead of waiting for new ones on Libby or Spotify πŸ“šπŸ˜‚ what's up with that?
 
"The problem with people demanding free speech is that they won't be willing to deal with the unpleasant consequences of freedom." πŸ€”πŸ“š I'm kinda sad that it's come to this - we've got automated shufflers making games unfair and authors losing out on sales because of platforms like Spotify. Maybe we need a new concept, like "Fair Play" πŸ™
 
I'm still stuck in the old days of physical copies πŸ“šπŸ‘€. I mean, what's wrong with flipping through pages and feeling the weight of a real book? These new-fangled Libby and Spotify things are just convenient ways to avoid dust accumulating on our shelves πŸ˜‚. And don't even get me started on audiobooks – it's like cheating! You can just listen to someone else read the words instead of experiencing the art of reading for yourself 🀣. I still remember buying used copies from my local bookstore, and it was always a thrill to find a rare title hidden away on a shelf πŸŽ‰. These days, I feel like I'm missing out if I don't have access to all this digital nonsense πŸ“Š...
 
πŸ€” I'm really loving the "WIRED" concept here! Playing games that are way too hard is like a rite of passage for gamers, you know? It's all about pushing your limits and seeing how far you can stretch yourself before throwing in the towel πŸ˜…. I've been there myself with Silksong - it was like they took all my favorite fantasy elements and threw them into a blender 🀯. But honestly, that's what makes gaming so addictive, right? The thrill of victory (or at least trying to achieve it) is just the best feeling πŸ’₯.
 
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