High ticket prices are pricing fans out of the music scene.
The UK's cost of living crisis has had a profound impact on live music, with many fans forced to reevaluate their gig-going habits due to exorbitant ticket prices. For some, it's as simple as not being able to afford a show, while for others, it's the cumulative effect of booking fees, transport and accommodation costs that's putting a significant dent in their pocket.
A recent case in point is Amy Law, a 35-year-old New Zealander living in London. She used to attend gigs weekly but hasn't been since June due to the increasingly steep prices. "Fifty quid for a gig is just out of my budget," she laments, referring to the current price of tickets for Lost Frequencies at Electric Brixton.
The problem is not just about individual prices; it's also about the systemic issues that drive up costs. Dynamic ticket pricing and resale websites have created a market where people are willing to pay top dollar for tickets, further exacerbating the issue. Even major platforms like Ticketmaster have been accused of enabling these practices.
Mark Rushton, 65, from Bury, shares Amy's frustration with ticket prices. "It's outrageous," he says, pointing the finger at Ticketmaster as the main culprit behind high fees. While it's true that the company has changed its sales tactics in response to consumer complaints, many fans still feel that they're being squeezed dry.
Traveling for a gig is becoming an increasingly expensive proposition, with rail fares rising faster than wages in recent years. This means that even if someone can afford to attend a show, getting there may be out of reach. For Mark Woollard, 51, from London, the issue goes beyond just ticket prices; it's also about the cost of food and drink in big venues.
"I've started looking for smaller gigs," he explains, highlighting the benefits of discovering new artists at grassroots venues. "It's been great to experience intimate shows with truly up-and-coming bands." His recent favorite discoveries include Prima Queen, Honeyglaze, and Coming Up Roses β a testament to the power of exploring alternative scenes.
While some fans are adapting by opting for smaller gigs or even traveling to see their favorite artists elsewhere, others may be forced out of the music scene altogether. As prices continue to rise, it's essential that promoters, ticketing platforms, and venues work together to create more affordable options for music lovers.
The UK's cost of living crisis has had a profound impact on live music, with many fans forced to reevaluate their gig-going habits due to exorbitant ticket prices. For some, it's as simple as not being able to afford a show, while for others, it's the cumulative effect of booking fees, transport and accommodation costs that's putting a significant dent in their pocket.
A recent case in point is Amy Law, a 35-year-old New Zealander living in London. She used to attend gigs weekly but hasn't been since June due to the increasingly steep prices. "Fifty quid for a gig is just out of my budget," she laments, referring to the current price of tickets for Lost Frequencies at Electric Brixton.
The problem is not just about individual prices; it's also about the systemic issues that drive up costs. Dynamic ticket pricing and resale websites have created a market where people are willing to pay top dollar for tickets, further exacerbating the issue. Even major platforms like Ticketmaster have been accused of enabling these practices.
Mark Rushton, 65, from Bury, shares Amy's frustration with ticket prices. "It's outrageous," he says, pointing the finger at Ticketmaster as the main culprit behind high fees. While it's true that the company has changed its sales tactics in response to consumer complaints, many fans still feel that they're being squeezed dry.
Traveling for a gig is becoming an increasingly expensive proposition, with rail fares rising faster than wages in recent years. This means that even if someone can afford to attend a show, getting there may be out of reach. For Mark Woollard, 51, from London, the issue goes beyond just ticket prices; it's also about the cost of food and drink in big venues.
"I've started looking for smaller gigs," he explains, highlighting the benefits of discovering new artists at grassroots venues. "It's been great to experience intimate shows with truly up-and-coming bands." His recent favorite discoveries include Prima Queen, Honeyglaze, and Coming Up Roses β a testament to the power of exploring alternative scenes.
While some fans are adapting by opting for smaller gigs or even traveling to see their favorite artists elsewhere, others may be forced out of the music scene altogether. As prices continue to rise, it's essential that promoters, ticketing platforms, and venues work together to create more affordable options for music lovers.