Joy Crookes, the British singer-songwriter, has issued a stark warning that the UK and Ireland are entering a period of unprecedented darkness due to the resurgence of far-right ideology in mainstream politics. The 30-year-old artist, who has recently performed two sold-out shows at Brixton's O2 Academy, likened the current situation to the 1970s when the National Front was at its peak.
During her performances, Crookes played a cover of SinΓ©ad O'Connor's anti-racism anthem "Black Boys on Mopeds," which has become an iconic protest song against police violence and racism. When asked about introducing the song on stage, Crookes stated, "I don't want to sing this song, but 35 years ago, Sinead wrote this and it's still relevant and I feel like it's probably necessary."
Crookes' concerns are deeply personal, as she has Irish and Bangladeshi heritage. She revealed that driving around Dublin with her cousins had exposed her to the alarming rise of nationalist, anti-immigrant flags, which have become a symbol of far-right ideology in Ireland.
The singer's fears were further underscored when she recalled the experience of shooting her debut acting role in Luton, where rumors of a Tommy Robinson rally sent shockwaves through the mostly black and brown crew and cast. They became worried about their safety due to concerns over mass protests and potential clashes with far-right groups.
Crookes' comments have sparked an important debate about the need for solidarity between communities directly affected by far-right rhetoric. She emphasized that musicians, in particular, have a responsibility to use their platforms to speak out against racism and intolerance. While acknowledging that her peers are willing to discuss issues like Palestine, they seem hesitant to address the "big R word" when it comes to racism.
Crookes' statements underscore the gravity of the situation in the UK and Ireland, where far-right ideology is gaining traction. Her message serves as a reminder that we must come together to resist this resurgence of extremism and protect our shared values of equality, justice, and human rights.
During her performances, Crookes played a cover of SinΓ©ad O'Connor's anti-racism anthem "Black Boys on Mopeds," which has become an iconic protest song against police violence and racism. When asked about introducing the song on stage, Crookes stated, "I don't want to sing this song, but 35 years ago, Sinead wrote this and it's still relevant and I feel like it's probably necessary."
Crookes' concerns are deeply personal, as she has Irish and Bangladeshi heritage. She revealed that driving around Dublin with her cousins had exposed her to the alarming rise of nationalist, anti-immigrant flags, which have become a symbol of far-right ideology in Ireland.
The singer's fears were further underscored when she recalled the experience of shooting her debut acting role in Luton, where rumors of a Tommy Robinson rally sent shockwaves through the mostly black and brown crew and cast. They became worried about their safety due to concerns over mass protests and potential clashes with far-right groups.
Crookes' comments have sparked an important debate about the need for solidarity between communities directly affected by far-right rhetoric. She emphasized that musicians, in particular, have a responsibility to use their platforms to speak out against racism and intolerance. While acknowledging that her peers are willing to discuss issues like Palestine, they seem hesitant to address the "big R word" when it comes to racism.
Crookes' statements underscore the gravity of the situation in the UK and Ireland, where far-right ideology is gaining traction. Her message serves as a reminder that we must come together to resist this resurgence of extremism and protect our shared values of equality, justice, and human rights.