Renowned photographer and activist Kwame Brathwaite has left behind a legacy of beauty and self-expression, as the world mourns his passing at the age of 85. Brathwaite's work with the "Black is Beautiful" movement, which aimed to redefine traditional notions of beauty for Black people, continues to inspire artists, curators, and historians alike.
Born in Brooklyn in 1938, Brathwaite was raised by Barbadian immigrants who later moved to Harlem and then the South Bronx. His introduction to photography at a young age would prove pivotal, with moments such as encountering David Jackson's haunting photograph of Emmett Till's open casket in 1955 and witnessing another photographer taking photos without flash in a jazz club setting in 1956 igniting his passion for the art form.
As Brathwaite honed his craft using a Hasselblad medium-format camera, he developed a unique darkroom technique that enhanced the visual narrative of his work. He went on to photograph some of the most iconic figures of Black music, including Miles Davis, John Coltrane, Thelonious Monk, and Bob Marley.
Through his Grandassa Models series, Brathwaite celebrated and accentuated the features of young Black women, pushing back against whitewashed beauty standards in the 1960s. His photography also captured the essence of jazz legends performing throughout the 1950s and '60s. By capturing the mood, atmosphere, and energy of these performances, Brathwaite conveyed a sense of community and celebration.
In addition to his work with AJASS and the Grandassa Models, Brathwaite traveled extensively throughout Africa, photographing music legends such as the Jackson Five, Nina Simone, Stevie Wonder, and Sly and the Family Stone. His 2016 collaboration with Philip Martin Gallery in Los Angeles continued his commitment to exploring diverse forms of Black expression.
Brathwaite's influence can be seen in numerous exhibitions across the country, including a retrospective traveling to the Blanton Museum of Art in Austin, Texas, which took place despite his struggling health. The ongoing "Kwame Brathwaite: Things Well Worth Waiting For" exhibition at the Art Institute of Chicago is a testament to his enduring legacy.
With his passing, the world has lost a creative force and an unyielding advocate for Black beauty and self-expression. As we remember Brathwaite's remarkable life, his photographs continue to inspire us to celebrate our individuality and community.
Born in Brooklyn in 1938, Brathwaite was raised by Barbadian immigrants who later moved to Harlem and then the South Bronx. His introduction to photography at a young age would prove pivotal, with moments such as encountering David Jackson's haunting photograph of Emmett Till's open casket in 1955 and witnessing another photographer taking photos without flash in a jazz club setting in 1956 igniting his passion for the art form.
As Brathwaite honed his craft using a Hasselblad medium-format camera, he developed a unique darkroom technique that enhanced the visual narrative of his work. He went on to photograph some of the most iconic figures of Black music, including Miles Davis, John Coltrane, Thelonious Monk, and Bob Marley.
Through his Grandassa Models series, Brathwaite celebrated and accentuated the features of young Black women, pushing back against whitewashed beauty standards in the 1960s. His photography also captured the essence of jazz legends performing throughout the 1950s and '60s. By capturing the mood, atmosphere, and energy of these performances, Brathwaite conveyed a sense of community and celebration.
In addition to his work with AJASS and the Grandassa Models, Brathwaite traveled extensively throughout Africa, photographing music legends such as the Jackson Five, Nina Simone, Stevie Wonder, and Sly and the Family Stone. His 2016 collaboration with Philip Martin Gallery in Los Angeles continued his commitment to exploring diverse forms of Black expression.
Brathwaite's influence can be seen in numerous exhibitions across the country, including a retrospective traveling to the Blanton Museum of Art in Austin, Texas, which took place despite his struggling health. The ongoing "Kwame Brathwaite: Things Well Worth Waiting For" exhibition at the Art Institute of Chicago is a testament to his enduring legacy.
With his passing, the world has lost a creative force and an unyielding advocate for Black beauty and self-expression. As we remember Brathwaite's remarkable life, his photographs continue to inspire us to celebrate our individuality and community.