Lord of the Flies Review - Jack Thorne's Misguided Take on Golding's Classic
The latest adaptation of William Golding's iconic novel, Lord of the Flies, has hit screens, bringing a fresh take to this timeless tale of human nature. Unfortunately, it falls woefully short of its predecessor's enduring power.
Thorne's four-part series takes a different approach, focusing on individual characters and their backstories rather than the group dynamics that drive Golding's narrative. This decision leads to an uneven pacing, with some episodes feeling bloated and others thin.
The show's visual style is also noteworthy, with long, languid shots of the idyllic landscape serving to heighten anticipation for the horrors to come. However, this aesthetic choice comes at the cost of emotional resonance, as the scenes of violence are denatured by a primitive color palette that feels more like a gimmick than a genuine artistic statement.
The script is another major misstep, relying on unconvincing dialogue and reducing the complex characters to simplistic backstories. The modern curse of psychology applies here too, with each character's motivations explained away by a neat narrative. This reduces the elemental power of Golding's question: can evil be overcome? Instead, we're left with a shallow exploration of how much therapy a person needs.
The standout performance is from David McKenna as Piggy, who brings a sense of gravitas and intelligence to the role that is sorely lacking in the rest of the cast. However, even his excellent work can't salvage the overall lackluster effort.
Ultimately, Jack Thorne's take on Lord of the Flies feels like a missed opportunity to explore the timeless themes of Golding's novel. By focusing too much on individual character development and not enough on the group dynamics that drive the story forward, the show loses its way. If you're a fan of the original, you may want to stick with the 1954 classic - this adaptation is a pale imitation at best.
The latest adaptation of William Golding's iconic novel, Lord of the Flies, has hit screens, bringing a fresh take to this timeless tale of human nature. Unfortunately, it falls woefully short of its predecessor's enduring power.
Thorne's four-part series takes a different approach, focusing on individual characters and their backstories rather than the group dynamics that drive Golding's narrative. This decision leads to an uneven pacing, with some episodes feeling bloated and others thin.
The show's visual style is also noteworthy, with long, languid shots of the idyllic landscape serving to heighten anticipation for the horrors to come. However, this aesthetic choice comes at the cost of emotional resonance, as the scenes of violence are denatured by a primitive color palette that feels more like a gimmick than a genuine artistic statement.
The script is another major misstep, relying on unconvincing dialogue and reducing the complex characters to simplistic backstories. The modern curse of psychology applies here too, with each character's motivations explained away by a neat narrative. This reduces the elemental power of Golding's question: can evil be overcome? Instead, we're left with a shallow exploration of how much therapy a person needs.
The standout performance is from David McKenna as Piggy, who brings a sense of gravitas and intelligence to the role that is sorely lacking in the rest of the cast. However, even his excellent work can't salvage the overall lackluster effort.
Ultimately, Jack Thorne's take on Lord of the Flies feels like a missed opportunity to explore the timeless themes of Golding's novel. By focusing too much on individual character development and not enough on the group dynamics that drive the story forward, the show loses its way. If you're a fan of the original, you may want to stick with the 1954 classic - this adaptation is a pale imitation at best.