The roads of the Mississippi River snaked before us, a serpentine path that led to the Louisiana Leper Home in Carville. My father, my mother, my husband, and I, along with our two little girls, embarked on a journey 53 years in the making – a homecoming for my father, a pilgrimage for me. The Gillis W. Long Hansen’s Disease Center, once a quarantine site that held my family's dark past, now hosted us as we delved into its archives.
As a writer working on her novel, "King of the Armadillos," inspired by my father's experience with Hansen's disease – once known as leprosy – I had been searching for a deeper understanding of his time at Carville. The journey was bittersweet; my father's visit to the institution was both a chance to rediscover him and confront the past.
Upon arriving, the imposing iron gates seemed to mark a boundary between two worlds. The once-abandoned sugar plantation grounds now boasted neatly manicured lawns and ornate gardens – an eerie juxtaposition with the history of patient suffering that lingered beneath the surface. My husband's hesitation as we stepped through the entrance mirrored my own sense of unease.
The imposing 1930s federal building loomed before us, its walls adorned with a faded logo of the National Guard. As I caught sight of my father gazing down at my two-year-old daughter guiding her up the concrete steps, I felt an overwhelming urge to ask if it was the same place he had once called home. His response – that it didn't smell like a hospital anymore – left me with more questions than answers.
Years later, as I pored over his medical records, fragments of my father's personality began to emerge. He remained stubborn and resilient despite facing excruciating pain due to Hansen's disease. The notes peppered throughout the files revealed a complex individual who could be both cooperative and recalcitrant depending on his mood.
My interest in Carville wasn't just about uncovering my father's past but also delving into its role as an institution that shaped patient culture during a period of social upheaval. Stanley Stein, a former pharmacist from Texas, played a pivotal role in transforming the administration's approach to Hansen's disease patients by promoting education and self-empowerment through The STAR magazine.
When we strolled through the grounds, my father pointed out the dorm room that had been his home for nine years. As he showed me the ballroom where they'd held dances – including one Mardi Gras celebration that featured floats and a barbershop quartet performance by my father's group – the memories seemed almost otherworldly. I couldn't help but be reminded of how far we've come since those days.
It was an evening stroll through the dimly lit recreation center that ultimately led me to understanding why Carville would forever hold a place in our family's history. When my father returned, it wasn't with the isolation and loneliness he had endured years before – instead, he brought us as his proof of life. In this moment, I realized that without Carville, my dad wouldn't be the person he is today, and neither would I.
Looking back on our visit to the Louisiana Leper Home in Carville, it's clear that some wounds can never truly heal but that with courage, resilience, and love, we find ways to navigate them.
As a writer working on her novel, "King of the Armadillos," inspired by my father's experience with Hansen's disease – once known as leprosy – I had been searching for a deeper understanding of his time at Carville. The journey was bittersweet; my father's visit to the institution was both a chance to rediscover him and confront the past.
Upon arriving, the imposing iron gates seemed to mark a boundary between two worlds. The once-abandoned sugar plantation grounds now boasted neatly manicured lawns and ornate gardens – an eerie juxtaposition with the history of patient suffering that lingered beneath the surface. My husband's hesitation as we stepped through the entrance mirrored my own sense of unease.
The imposing 1930s federal building loomed before us, its walls adorned with a faded logo of the National Guard. As I caught sight of my father gazing down at my two-year-old daughter guiding her up the concrete steps, I felt an overwhelming urge to ask if it was the same place he had once called home. His response – that it didn't smell like a hospital anymore – left me with more questions than answers.
Years later, as I pored over his medical records, fragments of my father's personality began to emerge. He remained stubborn and resilient despite facing excruciating pain due to Hansen's disease. The notes peppered throughout the files revealed a complex individual who could be both cooperative and recalcitrant depending on his mood.
My interest in Carville wasn't just about uncovering my father's past but also delving into its role as an institution that shaped patient culture during a period of social upheaval. Stanley Stein, a former pharmacist from Texas, played a pivotal role in transforming the administration's approach to Hansen's disease patients by promoting education and self-empowerment through The STAR magazine.
When we strolled through the grounds, my father pointed out the dorm room that had been his home for nine years. As he showed me the ballroom where they'd held dances – including one Mardi Gras celebration that featured floats and a barbershop quartet performance by my father's group – the memories seemed almost otherworldly. I couldn't help but be reminded of how far we've come since those days.
It was an evening stroll through the dimly lit recreation center that ultimately led me to understanding why Carville would forever hold a place in our family's history. When my father returned, it wasn't with the isolation and loneliness he had endured years before – instead, he brought us as his proof of life. In this moment, I realized that without Carville, my dad wouldn't be the person he is today, and neither would I.
Looking back on our visit to the Louisiana Leper Home in Carville, it's clear that some wounds can never truly heal but that with courage, resilience, and love, we find ways to navigate them.