Lily Allen's West End Girl album has taken the spotlight for its exploration of polyamory, regret, and revenge, mirroring themes that have captivated readers in recent years' novels tackling infidelity and relationship dynamics.
In fiction, authors are pushing boundaries with experimental narratives that subvert the traditional romance novel tropes. Andrew Miller's Booker-shortlisted The Land in Winter delves into rural England in 1962, capturing the era's tone and texture through two couples' storylines. In contrast, Miranda July's All Fours takes a more contemporary approach, focusing on an unnamed narrator navigating midlife crisis and an affair with a Hertz employee.
Sarah Manguso's Liars tells a stark, brutal tale of a disintegrating marriage triggered by infidelity, while Catherine Lacey's The Mรถbius Book explores the limits of language in fiction, presenting a postmodern narrative that flips between nonfiction and fiction. However, both Liars and The Mรถbius Book are criticized for being overly judgmental, failing to delve deeper into the complexities of conflict.
Lauren Elkin's Scaffolding stands out as a more nuanced exploration, tackling desire seriously while employing inventive structures that capture the universality of relationship problems. By weaving together two narratives with different timeframes and perspectives, Elkin humanizes her characters, presenting everyday struggles as inherent to life.
The resurgence of novels centered around infidelity can be attributed to evolving attitudes toward relationships, aging, and mortality. As millennials settle into marriage, their stories explore new models like polyamory, centering women's experiences and acknowledging the fallibility and humor that accompany them.
These works not only reflect societal changes but also tap into readers' voyeuristic interests in infidelity, encouraging a deeper exploration of longing, fear of death, and the complexities surrounding human connections. As one character notes, "The most interesting part of infidelity isn't will they or won't they; it's everything else around it."
In fiction, authors are pushing boundaries with experimental narratives that subvert the traditional romance novel tropes. Andrew Miller's Booker-shortlisted The Land in Winter delves into rural England in 1962, capturing the era's tone and texture through two couples' storylines. In contrast, Miranda July's All Fours takes a more contemporary approach, focusing on an unnamed narrator navigating midlife crisis and an affair with a Hertz employee.
Sarah Manguso's Liars tells a stark, brutal tale of a disintegrating marriage triggered by infidelity, while Catherine Lacey's The Mรถbius Book explores the limits of language in fiction, presenting a postmodern narrative that flips between nonfiction and fiction. However, both Liars and The Mรถbius Book are criticized for being overly judgmental, failing to delve deeper into the complexities of conflict.
Lauren Elkin's Scaffolding stands out as a more nuanced exploration, tackling desire seriously while employing inventive structures that capture the universality of relationship problems. By weaving together two narratives with different timeframes and perspectives, Elkin humanizes her characters, presenting everyday struggles as inherent to life.
The resurgence of novels centered around infidelity can be attributed to evolving attitudes toward relationships, aging, and mortality. As millennials settle into marriage, their stories explore new models like polyamory, centering women's experiences and acknowledging the fallibility and humor that accompany them.
These works not only reflect societal changes but also tap into readers' voyeuristic interests in infidelity, encouraging a deeper exploration of longing, fear of death, and the complexities surrounding human connections. As one character notes, "The most interesting part of infidelity isn't will they or won't they; it's everything else around it."