Feline Star of the Silver Screen: Unpacking the Mystery of Orangey
In an era where Oscar season is marked by meticulous campaigning and strategic self-promotion, a solitary cat stands out as an enigmatic exception. The American Humane Association's Patsy award, discontinued in 1986, has only been won twice – both times by none other than Orangey, the feline lead of several classic films.
Orangey's most iconic role is undoubtedly that of Cat in Stanley Donen and Blake Edwards' Breakfast at Tiffany's. The film's protagonist, Holly Golightly (Audrey Hepburn), describes her cat as "a poor slob without a name," which couldn't be further from Orangey's charming on-screen presence.
However, Orangey's star status predates his breakthrough role in Breakfast at Tiffany's. A 1950s screwball comedy called Rhubarb catapulted Orangey to fame, with the cat playing the lead role alongside its human co-stars. The film, directed by Arthur Lubin, tells the story of a wealthy eccentric who leaves his estate and baseball team to an unexpected beneficiary: a mischievous feline.
One thing becomes apparent when delving into Orangey's filmography – there is no single, definitive account of the cat's life or career. Reports vary wildly, with some claiming that as many as 60 different cats were recruited for Rhubarb, only to be narrowed down to six trained performers. Meanwhile, a New York Times article puts the number of Orangeys at just 10.
Despite these inconsistencies, one thing remains clear: Orangey's presence on screen is undeniable. Whether he's lounging in a lawman's office or zipping around with Vincent Price and Basil Rathbone in The Comedy of Terrors, the cat exudes an air of feline indifference that captivates audiences.
Joel Coen, director of Inside Llewyn Davis, has aptly captured Orangey's essence: "Cats have little interest in pleasing people; they only draw attention." This observation rings particularly true when watching Orangey perform alongside some of Hollywood's most recognizable stars. The cat's presence is unmistakable, and its reactions are always genuine – whether it's basking in the spotlight or ignoring the chaos around it.
In a world where actors and actresses constantly court public attention, Orangey remains an enigma – a solitary feline star whose on-screen charm defies explanation. As we continue to celebrate his enduring legacy, one thing becomes clear: Orangey may not have been human, but he most certainly lived the movies.
In an era where Oscar season is marked by meticulous campaigning and strategic self-promotion, a solitary cat stands out as an enigmatic exception. The American Humane Association's Patsy award, discontinued in 1986, has only been won twice – both times by none other than Orangey, the feline lead of several classic films.
Orangey's most iconic role is undoubtedly that of Cat in Stanley Donen and Blake Edwards' Breakfast at Tiffany's. The film's protagonist, Holly Golightly (Audrey Hepburn), describes her cat as "a poor slob without a name," which couldn't be further from Orangey's charming on-screen presence.
However, Orangey's star status predates his breakthrough role in Breakfast at Tiffany's. A 1950s screwball comedy called Rhubarb catapulted Orangey to fame, with the cat playing the lead role alongside its human co-stars. The film, directed by Arthur Lubin, tells the story of a wealthy eccentric who leaves his estate and baseball team to an unexpected beneficiary: a mischievous feline.
One thing becomes apparent when delving into Orangey's filmography – there is no single, definitive account of the cat's life or career. Reports vary wildly, with some claiming that as many as 60 different cats were recruited for Rhubarb, only to be narrowed down to six trained performers. Meanwhile, a New York Times article puts the number of Orangeys at just 10.
Despite these inconsistencies, one thing remains clear: Orangey's presence on screen is undeniable. Whether he's lounging in a lawman's office or zipping around with Vincent Price and Basil Rathbone in The Comedy of Terrors, the cat exudes an air of feline indifference that captivates audiences.
Joel Coen, director of Inside Llewyn Davis, has aptly captured Orangey's essence: "Cats have little interest in pleasing people; they only draw attention." This observation rings particularly true when watching Orangey perform alongside some of Hollywood's most recognizable stars. The cat's presence is unmistakable, and its reactions are always genuine – whether it's basking in the spotlight or ignoring the chaos around it.
In a world where actors and actresses constantly court public attention, Orangey remains an enigma – a solitary feline star whose on-screen charm defies explanation. As we continue to celebrate his enduring legacy, one thing becomes clear: Orangey may not have been human, but he most certainly lived the movies.