QCinema Project Market Awards $310,000 in Support to Southeast Asian Filmmakers

The QCinema Project Market has concluded its third edition, bestowing a staggering PHP 18 million ($310,000) in support to Southeast Asian filmmakers. This year's event carries added significance as Quezon City was recently designated as a UNESCO Creative City of Film, solidifying its reputation alongside global cinema centers.

This year's winners were announced across various categories, with Dominic Bekaert's "Daddy Cool" taking the top honor, securing PHP1 million ($17,240) in the Quezon City Best Project Award. The Philippine project also earned recognition from Kongchak Studio for audio post-production services and color correction services.

Russell Morton's Singaporean project "Penumbra" took first place in the QPM Southeast Asian Project Award category with a prize of PHP500,000 ($8,620). Mai Huyแปn Chi's Vietnamese film "The River Knows Our Names" placed second with a prize of PHP300,000 ($5,170).

In the Filipino project category, Arjanmar H. Rebeta's "There Is, There Isn't" (Meron, Wala) took first place and secured a prize of PHP500,000. Sam Manacsa's "The Void is Immense in Idle Hours" earned second place with a prize of PHP300,000.

Malaysian filmmaker Joon Goh received the QPM Discovery Award worth PHP500,000 for his project "The Willing." Khavn De La Cruz won the Best Pitch prize for his project "Jollywood."

Partner awards extended support significantly beyond cash prizes. Dean Colin Marcial's "Jaguar" received comprehensive post-production services from Mocha Chai Laboratories valued at $50,000. CMB Equipment Support distributed PHP1 million in film equipment across six projects.

Multiple projects benefited from color grading, audio post-production, and marketing support through partnerships with Central Digital Lab, Barebones, Terminal Six, Narra, Puregold, and Stage Post Audio and Music Productions.

"This year's awards reflect our belief in the region's filmmakers and our dedication to supporting their stories as they travel to global audiences," said QPM managing director Liza Dino-Seguerra.
 
OMG ๐Ÿคฉ can u believe how awesome this QCinema Project Market is? ๐ŸŽฅ๐Ÿ’ธ I mean, 18 million pesos in support for Southeast Asian filmmakers is like, a huge deal! ๐Ÿ’ธ And that Quezon City is now a UNESCO Creative City of Film? ๐ŸŒŽ wow, the city's reputation as a hub for film is legit! ๐Ÿค“ I'm so stoked to see our local projects getting recognition and funding. Like, Dominic Bekaert's "Daddy Cool" won like, a million pesos in Quezon City Best Project Award ๐Ÿค‘ and Russell Morton's "Penumbra" got 500k in QPM Southeast Asian Project Award? ๐Ÿคฉ our Filipino project "There Is, There Isn't" (Meron, Wala) also got a sweet prize of 500k! ๐Ÿ’ธ and color grading, audio post-production, marketing support... it's like, the list goes on ๐ŸŽ‰
 
I'm telling you, something fishy is going on here ๐ŸŸ. First of all, why did we have to wait until Quezon City got designated as a UNESCO Creative City of Film for this thing to happen? It's like they wanted us to think the whole event was just about supporting Southeast Asian filmmakers, but really it's about promoting that city's "brand" ๐ŸŽฌ. And don't even get me started on the prize money - $310,000 is a pretty penny, if you ask me ๐Ÿ’ธ. I mean, who needs that kind of cash to make a film? It smells like a setup to me...
 
OMG, PHP 18 million for Southeast Asian filmmakers? That's like winning the lottery, dude! ๐Ÿ˜‚ I'm not surprised though, considering QCinema Project Market has solidified its rep as a go-to event for film lovers. And yeah, it's awesome to see projects from different countries getting recognition. I mean, who wouldn't want to see "The River Knows Our Names" and "Jaguar" get some love? ๐ŸŽฅ๐Ÿ”ฅ But seriously, it's great to see filmmakers getting the support they need to take their work global. Now if only I could make a film for that amount of money... ๐Ÿคฃ
 
Ugh ๐Ÿ™„, I mean, can't the QCinema Project Market just organize events for once? It feels like every time they do something, it's always tied to some bigger UNESCO or film center thing. Can't we just have a straightforward festival without all these extra credentials?

And don't even get me started on the winners ๐Ÿค‘. $310k is a lot of cash, but do we really need that much hype around our local films? It feels like it's all about the publicity rather than actually supporting the filmmakers.

I'm also kinda annoyed that they're not doing more to help with actual production costs ๐ŸŽฅ. Sure, the post-production services are cool and all, but what about the scriptwriting, editing, or even just getting a good camera? It feels like we're still stuck in the same old indie film struggles ๐Ÿ˜’.

Oh well, I guess it's nice that they recognized some of our local talent ๐ŸŽ‰. But can't we just have more transparency and less drama around these awards?
 
I'm so curious about how this QCinema Project Market is helping Filipino filmmakers like Arjanmar H. Rebeta, who won PHP500,000 for his film "There Is, There Isn't" (Meron, Wala) ๐Ÿค”... I mean, do we know what's going on with that prize money? Is it all just cash or are there any tax implications for the filmmakers in the Philippines?

I also wonder about Joon Goh from Malaysia and his project "The Willing". How did he get discovered by the QCinema Project Market? Are there any plans to support more Malaysian filmmakers in the future? ๐Ÿค—

And what's with the color grading, audio post-production, and marketing support? I guess it's nice that we have partners like Mocha Chai Laboratories and Stage Post Audio and Music Productions... but how do they benefit from partnering with QCinema Project Market? ๐Ÿค‘
 
The QCinema Project Market is really growing ๐Ÿš€, it's awesome that they're able to support so many Southeast Asian filmmakers with that kind of cash ๐Ÿ’ธ. I'm glad to see more Philippine projects winning awards this year too ๐Ÿ‡ต๐Ÿ‡ญ, it's about time we get some recognition for our own cinema scene. Anyway, a lot of these winners got prizes and services from other cool companies like Mocha Chai Labs and Stage Post Audio Music Productions, that's really helpful for them ๐Ÿ’ป.
 
OMG ๐Ÿ˜ I'm totally stoked about this ๐ŸŽฅ QCinema Project Market event! They're doing so much for Southeast Asian filmmakers, it's like, ๐Ÿ’ธ $310k is a huge prize to get! And Quezon City being a UNESCO Creative City of Film is, like, a major win ๐Ÿ†. I love that they're not just handing out cash prizes, but also offering all these other awesome services too - color grading, audio post-production... it's like, ๐Ÿ’ก so cool for the filmmakers to get all this support! ๐Ÿ‘
 
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