"Cyclone" Musical Finds Salvation in Its Offbeat Charm
In this eccentric production of "Ride the Cyclone," director Lizzi Gee masterfully weaves together a narrative that defies conventional storytelling. Based on an original concept by Jacob Richmond and Brooke Maxwell, the show follows six high school students who find themselves sent to their deaths after a rollercoaster accident. However, instead of succumbing to despair, they're given a second chance in the "in-between," where they must compete for redemption.
At the heart of this unusual premise lies an impressive ensemble cast, each bringing their unique energy to their respective roles. Baylie Carson shines as Ocean, the high school queen bee, with her sparkling song about self-adoration. Damon Gould makes a captivating appearance as Noel, with his dreamlike ballad featuring plenty of high kicks and corsets.
Meanwhile, Bartek Kraszewski's Ukrainian rebel Mischa brings a much-needed dose of edginess with his rap, while Jack Maverick transforms into a sparkly space-age bachelor in Ricky's infectious number. Robyn Gilbertson impresses as Constance, the nicest girl in town, showcasing her love for life just before it slips away.
However, things start to feel formulaic once each character takes their turn, singing about themselves and their journeys. Despite this structure, "Ride the Cyclone" remains a genuinely unique musical with plenty of charm. With some tweaks, it's clear that this show could truly take off.
Gee's clever direction brings out the best in her talented cast, and the set design is equally impressive. The Amazing Karnak, played by Edward Wu, serves as a memorable guide through the "in-between," moving stiffly like a wind-up toy to command attention.
Ultimately, "Ride the Cyclone" is an offbeat musical that finds its own path, celebrating life in all its quirky beauty. It may not be perfect, but with a bit of fine-tuning, this show has the potential to ride the cyclone straight into your heart.
In this eccentric production of "Ride the Cyclone," director Lizzi Gee masterfully weaves together a narrative that defies conventional storytelling. Based on an original concept by Jacob Richmond and Brooke Maxwell, the show follows six high school students who find themselves sent to their deaths after a rollercoaster accident. However, instead of succumbing to despair, they're given a second chance in the "in-between," where they must compete for redemption.
At the heart of this unusual premise lies an impressive ensemble cast, each bringing their unique energy to their respective roles. Baylie Carson shines as Ocean, the high school queen bee, with her sparkling song about self-adoration. Damon Gould makes a captivating appearance as Noel, with his dreamlike ballad featuring plenty of high kicks and corsets.
Meanwhile, Bartek Kraszewski's Ukrainian rebel Mischa brings a much-needed dose of edginess with his rap, while Jack Maverick transforms into a sparkly space-age bachelor in Ricky's infectious number. Robyn Gilbertson impresses as Constance, the nicest girl in town, showcasing her love for life just before it slips away.
However, things start to feel formulaic once each character takes their turn, singing about themselves and their journeys. Despite this structure, "Ride the Cyclone" remains a genuinely unique musical with plenty of charm. With some tweaks, it's clear that this show could truly take off.
Gee's clever direction brings out the best in her talented cast, and the set design is equally impressive. The Amazing Karnak, played by Edward Wu, serves as a memorable guide through the "in-between," moving stiffly like a wind-up toy to command attention.
Ultimately, "Ride the Cyclone" is an offbeat musical that finds its own path, celebrating life in all its quirky beauty. It may not be perfect, but with a bit of fine-tuning, this show has the potential to ride the cyclone straight into your heart.