Youthful Energy Fuels NYO's Dazzling Debut
As a rare treat for music enthusiasts, the National Youth Orchestra (NYO) kicked off their annual cycle just days after the players first met, setting an ambitious tone for their three-city UK tour. The Shimmer programme, featuring works by Debussy and Ravel, transported listeners to sun-kissed Spanish streetscapes, replete with vibrant colors and enticing rhythms.
Debussy's Ibéria premiered in 1910 as a delicate, pointillist affair – a watercolor of muted hues and subtle textures. With the NYO's doubled forces, conductor Alexandre Bloch skillfully maintained control, though some passages still felt slightly over-layered, with rhythmic juddering occasionally smudging the sinuous scales.
However, it was Ravel's Rapsodie Espagnole that truly came alive under Bloch's guidance, with its final movement bursting forth in a joyful cacophony of brass and woodwind. Meanwhile, Karim Al-Zand's City Scenes injected a modern swagger into the performance, its neon-infused rhythms cutting through the ensemble like a sonic Artful Dodger.
Anna Clyne's DANCE (2019) – a radiant cello concerto – brought out the best in both Segev and the orchestra. With shifting moods evoking klezmer or jazz, the NYO members showcased their versatility and chemistry with conductor Bloch.
A cheeky nod to jazz and a spirited encore of Rossini's William Tell Overture rounded off an exhilarating debut, hinting at the exceptional heights this new generation of musicians can reach. As they embark on their UK tour, it's clear that these teenagers have already begun to make waves in the classical music scene.
The Shimmer tour continues with performances at Warwick Arts Centre (Jan 5) and Royal Concert Hall (Jan 6).
As a rare treat for music enthusiasts, the National Youth Orchestra (NYO) kicked off their annual cycle just days after the players first met, setting an ambitious tone for their three-city UK tour. The Shimmer programme, featuring works by Debussy and Ravel, transported listeners to sun-kissed Spanish streetscapes, replete with vibrant colors and enticing rhythms.
Debussy's Ibéria premiered in 1910 as a delicate, pointillist affair – a watercolor of muted hues and subtle textures. With the NYO's doubled forces, conductor Alexandre Bloch skillfully maintained control, though some passages still felt slightly over-layered, with rhythmic juddering occasionally smudging the sinuous scales.
However, it was Ravel's Rapsodie Espagnole that truly came alive under Bloch's guidance, with its final movement bursting forth in a joyful cacophony of brass and woodwind. Meanwhile, Karim Al-Zand's City Scenes injected a modern swagger into the performance, its neon-infused rhythms cutting through the ensemble like a sonic Artful Dodger.
Anna Clyne's DANCE (2019) – a radiant cello concerto – brought out the best in both Segev and the orchestra. With shifting moods evoking klezmer or jazz, the NYO members showcased their versatility and chemistry with conductor Bloch.
A cheeky nod to jazz and a spirited encore of Rossini's William Tell Overture rounded off an exhilarating debut, hinting at the exceptional heights this new generation of musicians can reach. As they embark on their UK tour, it's clear that these teenagers have already begun to make waves in the classical music scene.
The Shimmer tour continues with performances at Warwick Arts Centre (Jan 5) and Royal Concert Hall (Jan 6).