Russia's Ored Recordings label is challenging a centuries-old legacy of erasure by releasing Circassian music, preserving a cultural heritage in danger of being lost forever. The record label, founded in 2013, stands as a beacon against Russian imperialism and cultural homogenization.
A few weeks after Russia invaded Ukraine in May 2022, musician Bulat Khalilov was attending a demonstration in Nalchik, the southern Russian city from which his ancestors originated. At this gathering, Khalilov's music and that of Ored Recordings caught the attention of a policeman who recognized him as the founder of the label.
Since its inception, Ored Recordings has released one record each year around Circassia Day, May 21st, to commemorate the end of the Russo-Circassian war in 1864. These releases focus on the diaspora community's voice within Circassian history and create a living ritual where music serves as a tool for mourning loss and maintaining cultural continuity.
According to Khalilov, his label seeks to break free from Soviet-era narratives that portrayed local cultures as "backward" – a notion born out of colonialism. The label has captured regional voices by linking archival recordings with historical context, contemporary reflection, and diaspora perspectives.
Ored Recordings' mission is not to seek revenge or replace one form of domination with another but to imagine a future where different communities coexist safely and freely. However, the increasingly clear comparisons between Russia's historic conquest in the Caucasus and its current conflict have made it difficult for anti-war voices within Russia to express themselves openly.
The label has relocated their founders, Khalilov and Timur Kodzoko, from Nalchik to Göttingen, Germany, where they continue to support North Caucasian musicians while exploring experimental directions. This move has expanded the diaspora's relationship with regional artists, allowing new musical avenues to emerge.
A compilation of Ored Recordings' work, Music from the Caucasus – The Archive 2013-2023, is set for release by TAL Records in Germany this month, featuring stories of struggle, independence, and historical memory. According to Khalilov, it's not the trauma or victim narrative that gives value to Circassian music but the stories behind these songs, which are tied to genocide, displacement, language loss, and everyday colonial conditions that persist.
By releasing Ored Recordings' work, labels like TAL Records play a crucial role in keeping Circassian culture alive. The power of music lies not only in its ability to heal emotional wounds but also in its capacity to challenge dominant narratives and preserve cultural heritage in the face of adversity.
A few weeks after Russia invaded Ukraine in May 2022, musician Bulat Khalilov was attending a demonstration in Nalchik, the southern Russian city from which his ancestors originated. At this gathering, Khalilov's music and that of Ored Recordings caught the attention of a policeman who recognized him as the founder of the label.
Since its inception, Ored Recordings has released one record each year around Circassia Day, May 21st, to commemorate the end of the Russo-Circassian war in 1864. These releases focus on the diaspora community's voice within Circassian history and create a living ritual where music serves as a tool for mourning loss and maintaining cultural continuity.
According to Khalilov, his label seeks to break free from Soviet-era narratives that portrayed local cultures as "backward" – a notion born out of colonialism. The label has captured regional voices by linking archival recordings with historical context, contemporary reflection, and diaspora perspectives.
Ored Recordings' mission is not to seek revenge or replace one form of domination with another but to imagine a future where different communities coexist safely and freely. However, the increasingly clear comparisons between Russia's historic conquest in the Caucasus and its current conflict have made it difficult for anti-war voices within Russia to express themselves openly.
The label has relocated their founders, Khalilov and Timur Kodzoko, from Nalchik to Göttingen, Germany, where they continue to support North Caucasian musicians while exploring experimental directions. This move has expanded the diaspora's relationship with regional artists, allowing new musical avenues to emerge.
A compilation of Ored Recordings' work, Music from the Caucasus – The Archive 2013-2023, is set for release by TAL Records in Germany this month, featuring stories of struggle, independence, and historical memory. According to Khalilov, it's not the trauma or victim narrative that gives value to Circassian music but the stories behind these songs, which are tied to genocide, displacement, language loss, and everyday colonial conditions that persist.
By releasing Ored Recordings' work, labels like TAL Records play a crucial role in keeping Circassian culture alive. The power of music lies not only in its ability to heal emotional wounds but also in its capacity to challenge dominant narratives and preserve cultural heritage in the face of adversity.