Tessa Rose Jackson's latest album under her own name is a rootsy folk affair that traverses a wide sonic landscape, drawing inspiration from Bert Jansch to REM and Sharon Van Etten. Recorded in rural France, the album, simply titled "The Lighthouse," offers a rawer, richer sound than her previous work as Someone. Here, Jackson delves into themes of ancestry, mortality, and memory.
The album begins with its titular track, which sets the tone for a journey towards a beacon, framed by perfect fifths on guitar, haunting woodwind melodies, and thundering percussion. The death of one of Jackson's mothers informs her lyrics throughout, particularly in "The Bricks That Make the Building," which meditates on the earth that feeds our lives and the breath that helps us sing. Another standout track, "Gently Now," tackles the complexities of grief with a refreshing inquisitive approach.
Production-wise, The Lighthouse feels more pop-infused than her previous work, giving it a spry, confident feel reminiscent of singles by This Is the Kit or Aldous Harding. Jackson's voice is assured but never smug, showcasing a captivating range that soars between delicacy and spirited sprechgesang.
Tracks like "Grace Notes," "Prizefighter," and "By Morning" showcase the album's luminous rebirth, with a piano-led melody in "Grace Notes" arriving like a Paul Simon classic. Jackson's approach to songwriting is poetic and refreshing, making The Lighthouse an essential listen for fans of folk and roots music.
In other releases this month, Irish folk band Ye Vagabonds' album All Tied Together offers slow-burning, moving songs with arresting characters. Adam Weikert's To Whom Ourselves We Owe is a gutsy exploration of traditional songs, while Nomad War Machine and Susan Alcorn's Contra Madre push boundaries with a thrilling blend of pedal steel and death metal.
The album begins with its titular track, which sets the tone for a journey towards a beacon, framed by perfect fifths on guitar, haunting woodwind melodies, and thundering percussion. The death of one of Jackson's mothers informs her lyrics throughout, particularly in "The Bricks That Make the Building," which meditates on the earth that feeds our lives and the breath that helps us sing. Another standout track, "Gently Now," tackles the complexities of grief with a refreshing inquisitive approach.
Production-wise, The Lighthouse feels more pop-infused than her previous work, giving it a spry, confident feel reminiscent of singles by This Is the Kit or Aldous Harding. Jackson's voice is assured but never smug, showcasing a captivating range that soars between delicacy and spirited sprechgesang.
Tracks like "Grace Notes," "Prizefighter," and "By Morning" showcase the album's luminous rebirth, with a piano-led melody in "Grace Notes" arriving like a Paul Simon classic. Jackson's approach to songwriting is poetic and refreshing, making The Lighthouse an essential listen for fans of folk and roots music.
In other releases this month, Irish folk band Ye Vagabonds' album All Tied Together offers slow-burning, moving songs with arresting characters. Adam Weikert's To Whom Ourselves We Owe is a gutsy exploration of traditional songs, while Nomad War Machine and Susan Alcorn's Contra Madre push boundaries with a thrilling blend of pedal steel and death metal.